Fried Green Tomatoes (1991)

The twenty year friendship between two young women in the early twentieth century American South is the focus of this 1991 film from director Jon Avnet. Told in flashbacks, the story adopts a modern POV, with social empowerment being the theme. As such, the story is both unusual and unexpected, given its historical time frame. Viewers will be disappointed if they expect a more traditional Southern story ... about some dark, sinister secret emotionally repressed, and set among the lazy willows and old Magnolia trees.

Empowerment can be a wonderful thing. But, if it is taken to extremes, as it is in two subplots, one involving Frank Bennett, and the other involving Evelyn Couch, then it can be a cause for concern. And that's my main problem with this film. The subplots tend to lack credibility, although they do not detract from the overall character study of Idgie and Ruth.

What was most impressive to me was the film's atmospheric "flavor". Production design, set decoration, and costumes all sparkle with such vitality and detail, that you really feel like you're back in the rural South of the 1920's.

Most modern films pander to youth. To its everlasting credit, "Fried Green Tomatoes" features the wisdom of an elderly character, played by Jessica Tandy, in a nursing home. An added bonus of the film is Kathy Bates, whose acting is always first-rate.

Fmovies: So few movies have the ability to work the human magic that this film does. From the beginning you cringe, celebrate, heal, mourn, and realistically become a part of the lives of these people (I won't say characters, but people as they become people and no longer actors / characters). Hating and loving the people, there is no way to watch Fried Green Tomatoes and not have it impact you. That is unless your heart is scarred and become calloused to the point where you don't let anything in anymore.

The ins and outs, ups and downs... and oh yes.. the BBQ! It shape shifts you and draws you in. And for a moment of your life you are no longer you, but one of them. Just watch it. And if you would like to escape for 2 hours this is how you do it.

So Hollywood! Why won't you, can't you, make movies like this anymore? Its budget was 11 million and it grossed 13 times that much. I am sure it's not the money that stops you. I am not sure you have the talent to make a movie with the magic and the power of FGT.

While I love this film, and have seen it a dozen times at least, the maturing of my mind since the first time I saw it as a teen in 1991, have made me take a second look at this stunningly acted film about love, friendship, devotion and racial issues in a multiple decade look at women's roles in society.

Anyone who went to college where I did would see that Idgy from her childhood is the sterotypical Lesbian. She does not like to wear dresses and prefers a man's dress even as a youngster. As she ages, and as Ruth befriends her, she is tantalized by a kiss Ruth gives her on the cheek at the swimming hole and so devastated by Ruth's wedding that she does not even attend but instead drives hours to Valdosta, Georgia to look on hurtfully from the woods at Ruth carried in her new home in her wedding dress.

As the film progresses and Ruth is rescued from her abusive relationship the two start a cafe called Whistle Stop Cafe in Whistle Stop, Alabama. If one watches carefully they'll see that the two live together in a house near the cafe. In one poignant moment, the two women are talking over coffee late at night in the cafe when Ruth says that she feels bad that Idgy may feel she needs to stay and care for Ruth and Buddy Threadgoode Jr. (Buddy is Ruth's son but has Idgy's last name?!) Ruth says that if it weren't for she and Buddy, Idgy may "settle down" Idgy dramatically replies "I am as settled as I am ever going to be" and "I don't want you to move out" The clincher was the image they showed shortly after that scene of Ruth in a feminine dress and Idgy in shorts and a shirt and tie, holding each other and smiling. Idgy never married or dated and Ruth never remarried.

Everyone must come to their own conclusion but mine is two women in the 1930's who enjoy a healthy, loving lesbian relationship with the disguise of business partners in a time and place when different anything race, religion or creed, was just not tolerated or accepted.

Fried Green Tomatoes fmovies. Fried green tomatoes serves up a serving of feel good entertainment, heartfelt moments, female empowerment, and important messages. This film tells the powerful story of Kathy Bates and Jessica Tandy in 1991. Kathy's character meets Tandy's character in a rest home while Kathy's husband is visiting his sick aunt. They quickly form a very special friendship and Jessica begins to tell Kathy stories about two women from years ago. Mary Stuart Masterson and Mary Louise Parker come in then, idgie and Ruth. Kathy starts to get inspired by the stories of idgie and Ruth and she starts to change her life for the better, getting into shape, improving her dull marriage with her husband, and becoming less scared to be herself and speak her mind. The stories told about idgie and Ruth involve going through tragedy, becoming lifelong friends and being there for each other. The performances in this sweet southern film are outstanding! Tandy and Bates are riveting and a joy to watch. Masterson and Parker have incredible on screen friend chemistry and their acting is nothing short of amazing, it's raw and real, you believe every thing they do and say. Cicely Tyson is good here too, a very brave and fearless character. The movie offers up great performances from the entire cast, very well written dialogue, heartwarming stories and a great score. The ending makes me cry happy tears every freaking time! 10/10.

This movie might easily pass you by. It's quirky, long-winded title suggests something arty or perhaps comical in a needlessly pretentious way. Well; it is arty, and it is often funny, but there isn't a particle of pretentiousness. I got to see it only because my newspaper included it as a free DVD in the weekend issue. But for that, I might still be in ignorance now.

It seems incredible that something so wonderful can be had for nothing.

Kathy Bates plays the role of a mature but still comparatively young woman who has a marriage going nowhere. Her husband has reached the point where he just doesn't seem to care any more. Actually, it's not that he doesn't care; he just hasn't noticed how bad things have got. Like so many couples, they have just let themselves slip into a rut.

However; she has noticed, and means to do something about it. When hints, make-overs and candlelit dinners prove inadequate, she finds unexpected inspiration in a feisty old woman called Ninny Threadgoode.

This woman - played by Jessica Tandy - dilates upon her past, and in particular, a friendship between two young women called Idgie and Ruth (Mary Stuart Masterson and Mary Louise Parker). The movie then shifts between the present-day circumstances of an increasingly emancipated wife, and the flashback reminiscences of her inspiration.

Some have rather misguidedly referred to this movie as a 'chick-flick' as if it were dedicated to a female audience or in some way espoused the cause of feminism. Such opinions do a disservice. To see it in this light, because the principal parts are female, is like dismissing 'The Shawshank Redemption' as a male 'buddy' movie. Both are about two people who's enduring friendship unites them against adversity. Lesbian love is barely hinted at.

Director, Jon Aunet has created a spellbinding work. It has a wonderful, lyrical fidelity, like a Renoir painting, whereby the few moments of comedy appear as small, flagrant brush-strokes in an otherwise pastel completeness. There are moments of heartbreaking and tender subtlety when Thomas Newman's music score expresses human feeling more fluently than the spoken word.

Sound-engineers seldom receive the recognition they deserve. All too easily we take the ambiance of the moment completely for granted. Viewers should pay particular attention to the authenticity of this movie, and marvel. The dreary interior of an unhappy home or the mildness of a sunlit summer-evening carry such authentic presence that one can almost feel the chill of anger, the sweetness of the season.

Some have found fault with this movie somewhere. I confess to being too lachrymose to see anything other than the director's intentions. Excellent script, flawless acting, impeccably chosen music and ambiance to reach out and touch.

This is a truly redeeming experience. Amongst the spoil-heaps of formulaic Hollywood wretchedness, gems like this help remind us that humanity is still worth caring about.

The detail of life is what really gives us meaning.

This is such an awesome movie. I remember watching it as a girl, and when I found it in a clearance bin a few months ago, I jumped on it. I watched it then, and now, having watched it again... Mary Stuart Masterson is AMAZING. Tears fall unwittingly down my cheeks during her performance. I was also enchanted by Mary-Louise Parker, and I always always LOVE Kathy Bates. Jessica Tandy is also her usual fit self, and Cecily Tyson was great ("Shoo! I ain't scared of you!") and I could go on for ages about all of them.

I will admit that this is the Ultimate Chick Flick. That title, however, does not detract from its overall quality. The men are more than just caricatures, and the nostalgia and love of the book made its way into the movie. I have to commend Avnet for his efforts.

And now that I am out of intelligent things to say, THIS MOVIE ROCKS MY SOCKS! It's re-watchability and great everything make this the movie (along with Love and Basketball and my Buffy DVDs) that I take with me to college and suggest we watch at every opportunity.