Flash Gordon Poster

Flash Gordon (1980)

Action | SciFi 
Rayting:   6.5/10 51.4K votes
Country: UK | USA
Language: English
Release date: 18 December 1980

A football player and his friends travel to the planet Mongo and find themselves fighting the tyranny of Ming the Merciless to save Earth.

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mentalcritic 26 October 2006

In 1980, science fiction was undergoing a revival of sorts. Some would argue that it is unfortunate that the science fiction appearing on the big screens of the time were more action-oriented than dramatic in nature. Flash Gordon came at a time when audiences were being trained to expect more and more from their films, with budgets skyrocketing and effects becoming progressively more important than the story. It is therefore somewhat disheartening to see reviewers focusing on how camp or low-fi they perceive it to be. Camp, low-budget, low-fi it is, but it has something that Episode 2 of Star Wars in particular didn't. Namely, it has the ingredients of a rollicking good time. From the awesome soundtrack by Queen to the near-ridiculous action sequences, Flash Gordon is almost the last hurrah in an era where filmmakers were expected to spend at least as much time on script and dialogue as they do eye candy. What makes it all the more interesting is that beyond the basic setup, there almost is no story to speak of.

Beginning with a POV shot from some distant planet, we see how the world we take for granted is suddenly subjected to all sorts of destructive weather patterns by its Emperor. Emperor Ming has decided to shift the orbit of the moon in order to make it collide with Earth, leaving a handful of days before all life on the planet is destroyed. Not one to take this kind of thing lying down, a scientist by the name of Hans Zarkov is busily building a rocket so that he might go to the source of the attacks and reason with them. Coincidentally, a plane carrying football star Flash Gordon and some girl called Dale Arden crash into Zarkov's lab. Tricking them into boarding his rocket, Zarkov takes them on a brief trip to a world so barren one wonders where they find the liquid to sustain themselves. Taken captive and escorted to the Emperor, our heroes bear witness to a society in which Lords of several moons pay tribute to said Emperor. With their lives, if need be. The real fun begins when Ming takes an interest in Dale.

Interest is putting it mildly. In a classic script oversight, Ming decides within a moment of first seeing her that he wants Dale to do with as he will. Flash is naturally not one to take such things lying down, so he begins attacking Ming's guards with a series of offensive football-style strikes. This gets the attention of several Lords who have been awaiting the right moment to overthrow Ming, but the fight is lost before it has begun, for obvious reasons. Overpowered, Flash is sentenced to execution, and thus the first of many bondage-like outfits is seen. I am not one to cry out "gay" when I see two men express a powerful bond, but several people I have watched the film with now agree that Flash Gordon has one of the biggest gay, or S&M, themes going in 1980s film. Not that this is particularly important, but the amount of leather underwear and tights on display would have made the Village People blush. Of course, this is all just one adult subtext that will go right over the head of the children in the audience.

One commendable feature of Flash Gordon is the death scenes. Aiming a film at children and dispatching characters in a violent fashion is always a tricky business. This adaptation gets around the issue by showing the alien creatures melting after they are killed. The manner in which this is filmed would probably get Flash Gordon a more restrictive rating if it were released for the first time today. It reminds me in part of a description in Repo Man. E

dandersen-28039 30 December 2018

Fmovies: Flash .... Aaaaaaaah !!!! 80's Cheese At Its Finest.

mlm93 9 December 1998

Dino DeLaurentiis' Flash Gordon is one of those rare movies that captures the imagination of the viewer, and doesn't let go until the final moments. It truly has everything you could ever want in a movie: compelling plot (the QB of the New York Jets has approximately 24 hours to save the Earth from total annihilation), violence, gore, great acting (Timothy Dalton, Brian Blessed, Max Von Sydow), action (the "Football Fight" in Ming's palace), drama, sexual situations (Princess Aura seducing Flash in her rocket, Dale Arden in Ming's bedroom), and babes (Ornella Muti as Princess Aura, and Melody Anderson as Dale Arden.) What more can you ask for in a movie? Nothing, I tell you, NOTHING!!! Actually, having read other comments elsewhere, I am extremely disappointed in the almost universal panning of the 2 leads, Sam J. Jones and Melody Anderson. These two fine actors put forth a masterful performance, and made you really believe the situations their characters found themselves in. I can't speak highly enough of their abilities, as they were never as good in anything else than they were here. Flash Gordon is the greatest movie of all-time- it has to be the greatest ever, because I wouldn't watch a movie over 300 timess if it wasn't. You think I'm kidding, but I'm deadly serious. The first time I saw it in the theater- 18 years ago- I was hooked for life. Please, whatever you do, watch this movie over and over- you'll be glad you did.

nbwritersinbox 12 July 2014

Flash Gordon fmovies. In the 80s, De Laurentis made vibrant, adventurous movies.

Despite a "B Movie" feel, the production values are high throughout 111 minutes of retro-driven, sci-fi packed entertainment, complimented by a rocking soundtrack delivered by chart-topping superband: Queen.

You can either dismiss Flash as juvenile eye-candy, or marvel in its over-the-top glory. Revisiting the movie, I tend towards the latter. The costumes look gorgeous, the settings have a dream-like atmosphere. The production team go that extra mile to emulate the colorful, original comic books, too.

Often criticized for hammy acting: I'll mention Topol, Timothy Dalton and ravishing Ornella Muti who do their best to transform Flash into a classy, trashy tour de force. I think they succeed.

rooprect 9 August 2017

Geez, I think my title summed up everything that needs to be said. "Flash Gordon" has all the sci-fi and action as "Star Wars" but blended with an unapologetic campiness and comic bookishness like the iconic 60s Batman series. Throw into the mix, um, QUEEN doing the soundtrack, and you've got yourself an experience that will never happen again.

You might be thinking the blend I just described is as ill-advised as putting pineapple on pizza (seriously does anyone really like that?), but actually the blend is perfect if we take a quick look at the decade that this film wraps up, the 70s. The 70s was the decade of the rock opera: The Who's "Tommy", the doo-wopper "Grease", Motown's "The Wiz", the punkish "Rocky Horror" and bunches of others that swept the box office. While "Flash Gordon" isn't a musical, as defined by characters breaking out into song & dance, the vibe of the movie spells rock opera with a capital Rock. In plain terms this means a very tongue-in-cheek, over-the-top, theatrical and colorful spectacle that is not to be taken as a straightforward drama. If you can grasp that concept, I guarantee you'll love this flick.

The plot? Who cares. Something about saving the universe, I'm sure. But it doesn't matter because, like a good roller coaster ride, or like a good adventurous vacation, we don't care how it's mapped out. We just get a thrill out of each individual twist & turn, each scene, each surprise, and all the while we're taking mental notes of all the horribly awesome lines we can quote to our friends and annoy them for months afterwards.

A serious note about the acting. This production drew the talents of some of the finest actors of stage & screen, and for them to be able to play such campy characters is a testament to their true expertise. I'm talking dramatic & Shakespearean legends like Brian Blessed, Max von Sydow, Timothy Dalton, not to mention the incomparable personality of Topol (Fiddler on the Roof) and the show-stealing, sexually repressed Ornella Muti as the Emperor's daughter--whose mere presence would've kicked the MPAA rating from PG to PG-13 if that designation had existed back then. Even if you don't recognize any of these people, you'll find each one of them to be unforgettable.

"Flash Gordon" is a film that has no equal. You could say it's a distant cousin to 1968's "Barbarella" (another wtf experience that shouldn't be missed), but really it's beyond compare. So hurry up and see this movie ...you only have 14 hours to save the earth!

ChristianWAB 20 July 2006

I know that the popular consensus has tagged this movie as campy and cheesy, but in the case of Flash Gordon, I don't think that's a bad thing at all. I was like 5 years old when I first saw this movie, so for me, it's not only a great film, it also brings me back to some of the happiest moments of my childhood when my imagination was limitless. Just listening to the soundtrack is enough to bring me back to my own personal "good ol' days," so I'll always have a soft spot for this movie in my heart. However, even viewing it as an adult, I have to say that I don't see quite as much cheese as the harsh critics see in the movie. I mean, yeah, there's that "cringe in your seat" moment when Melody Anderson side shuffles, claps her hands and cheers "Go, Flash, Go!" and her equally embarrassing, "Oh, Flash" when he saves Prince Baron from falling into the abyss, but beyond that, I think it's an awesome movie. I thought that all of the actors were very good in their respective roles, particularly Ming the Merciless, played by Max Von Sydow. He's very convincing in this role and not even remotely campy (IMHO). Klytus is also great. You gotta love his nonchalantly smooth manner of speaking. However, if I were to point out one thing that I believe made Flash Gordon the cult classic that it is today, it would HAVE to be the soundtrack. Right from the first scene when Ming starts pressing buttons that wreak havoc on the Earth, you hear the beat. Dun dun dun dun dun dun dun dun, then they hit you with that campy-as-hell "Flash! A-haaaaa!" before they break into song. The wedding march was exceptionally evil and just all of the music in between made the movie so memorable. Plus, the music helped freeze the movie permanently in 1980, which I love. If you've never seen this movie, DEFINITELY rent it and check it out. It's just a great flick.

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