Fiddler on the Roof (1971)

..."Fiddler on the Roof" stars Topol as Tevye, a Jewish milk man (and father of five) living in a small town in the time before WWII. The movie follows him over a long period of his life, mostly focusing on his three oldest daughters getting married, and Tevy's opposition towards their new husbands. Of course, it sounds a little depressing, but believe me, when you here the song "If I Were A Rich Man", you'll change your mind.

Musicals tend to become boring about halfway through (or at the beginning if they're really bad) because of overly dramatic songs or over acting. "Fiddler on the Roof" doesn't fall into this category. The songs please and warm your heart whenever they are sung, and the characters don't either overact or become boring.

Topol is hilarious and dramatic as Tevye, the dancing and singing father who speaks to God (and the audience) out loud. Topol narrates, sings, dances, and mingles joyfully with the other characters, never even coming close to slipping out of character. Tevye will go down in my book as one of the most memorable protagonists...ever.

The only thing going against "Fiddler on the Roof" is its monstrous running time. Not because it gets boring, but because whenever you'd like to watch it, you have to make sure you have about four hours of spare time, 9/10.

Fmovies: A beautiful film, every scene perfect, and Topol is unbelievably amazing. How can something so perfect be created...I try, in my own craft, but to see something so faultless, so perfectly manifested...I am in awe of such talent and ability. The art direction, stunning, But really, Topol carries it. A man of faith with intelligence enough to accept change, compassion enough to love through difficult revelations/revolutions.

Was a very significant film from my childhood, for some reason, for a nice Irish-catholic boy, but I remember it well, finding again in my fifties, with a better sense of history, aesthetics, morality, sentiment, religion, tradition, it touches me in a deeply emotional way

I saw this film during it's initial theatrical release and have seen it many times since. I am not especially a fan of musicals and there are very few that I like but this is one of those few. Fiddler on the Roof ran on Broadway from 1964 to 1972 and received a special Tony Award in 1972 for being the longest running musical in Braodway history. In addition it was nominated for nine Tony Awards for 1965 winning eight of them. The popularity of the plays Broadway run spawned Off Broadway performances worldwide from professional theater companies to high school productions. Joseph Stein wrote the screenplay for the filmed version adapted from his book which was based on stories by Sholom Aleichem. The wonderful music of Fiddler on the Roof is from the songwriting team of composer Jerry Bock and lyricist Sheldon Harnick. Director Norman Jewison had never done a musical before and was best known for the drama In the Heat of the Night and the comedies The Russians Are Coming, The Russians Are Coming and The Art of Love. He would direct another musical after Fiddler in Jesus Christ Superstar but would find more success in Moonstruck, A Soldier's Story and ..And Justice For All. Veterna Cinematographer Oswald Morris who was familiar with musicals having photographed Scrooge and Oliver was known for his cinematography in such films as Lolita, Mobey Dick, Goodbye Mr. Chips and The Guns of Navarone. the film Fiddler on the Roof was immediately embraced b the public and received critical acclaim and received eight Academy Award nominations including Best Picture and Best Director and won three Oscars for Best Cinematography, Musical Score and Sound. the film's setting takes place in the Jewish village of Anatevka, Russia in the year 1905. I interviewed a 101 year old Jewish woman three years ago who was born in a small village outside of Minsk, Russia in 1902 and lived there until 1920. In asking her to describe her village she referred to this film and said it was exactly like what was depicted in the movie. I can't think of a better testament to the production of this film than having someone who lived in a similar village during the time it was set in to see her past in this film. At three hours this runs a little long and it's hard to capture a successful musical stage play on film but this comes as close as you can get. As a musical I would give this a 10 out of 10.

Fiddler on the Roof fmovies. "Fiddler On the Roof" is the stage-to-screen adaptation of the famous musical. It tells the story of Tevye, a poor Jewish milkman in the tiny Russian village of Anatevka. This role is played by Topol, who played the character onstage in the London production of "Fiddler." We see him as a man mired in traditions, but struggling between his devout faith and the changing times when three of his daughters feel the urge to marry. The movie is beautifully shot, and tempers the story, which deals with the harsh realities of Jewish life in pre-Revolutionary Russia, with classic musical numbers sure to put a smile on your face. Between its incarnations on the stage and on screen, "Fiddler" will be immortal.

Let me say up front, I am not predisposed to enjoy a movie like this. On the contrary, as a straight WASP, the last thing I want to watch is a broadway musical or a bunch of Jews 'kavetching' about how bad they have it. That is definitely NOT what this film is about. Though the subject matter is Jewish, to say it is a Jewish film would grossly limit it's significance. It is about the human experience. Any one who has felt pain and persecution will relate to it. Therefore I say every human should love this film. It has an indomitable optimism and remarkable pathos that causes the viewer to empathize with the characters, namely Reb Tevye, played by Topol in arguably one of the finest dramatic performances ever. Considering the lack of success Topol has had with the rest of his career it would literally seem he was born to play this part. This film will most likely not be enjoyable for those looking for spoon fed, mindless entertainment or titillation, but for anyone who appreciates the beautiful things in life, it is high art. I recommend you set aside an undisturbed block of time, (use the can first, it's three hours long) when you are feeling relaxed, eat some good homemade soup and watch this masterpiece. Perfect casting, cinematography, pacing, art direction, wardrobe and best of all, an exquisite soundtrack by the great, and very young, John Williams. Listen to this movie on a powerful sound system and it will sweep you into each musical number. Especially (my favorite) the bar room dance scene. Fiddler on the Roof should be on every top 100 list that exists. Like no other movie I can think of, 'Fiddler' reaches deep into the heart and begs one to look at what things in life are worth living for and dying for.

The range and audacity of `Fiddler on the Roof' is stunning. By comparison today's musicals are timid, quaking things, terrified of frightening their audiences away however much `social relevance' bravado they may assume. This old musical is older than it looks. The film dates from 1971; the musical itself from 1963; but even then it was clear that it was the last of its kind, a delayed swan-song from the 1950s. There's sentiment, but no promise of a happy ending; humour, but not a trace of postmodern knowingness; realism, but and a willingness to indulge in fantasy, too. Musicals can't really survive without fantasy, and `Fiddler', along with `West Side Story', may very well mark the limit of just how serious it is possible to get without losing it. The songs are uniformly good. I don't know if Bock's music was usually so fitting, or if he happened to strike gold just once - not that it matters.

As for the film ... I only wish I'll get a chance to see it in a cinema, for the photography is beautiful - and it IS the photography that's doing it, since we're made to realise that neither the village nor its setting is picturesque in itself. Norman Jewison has assembled a cast not one member of which jars and makes the most of it. This film is quite long, and feels longer, but neither length nor apparent length is a liability.