Epic (2013)

Epic calls itself a pretty pretentious title, in spite of fact the story is really about heroes protecting a land that isn't safe from evil. In modern definition, "Epic" is supposed to tell an extraordinary tale. The film shows us a fascinating miniscule world, and there are themes that may bring more to the scale. Unfortunately, none of those dig deeper and it sticks to the mainstream way of storytelling, leading an almost boring experience. It can be a little fun in some parts but it had some potential that wasn't executed well enough.

There is nothing wrong with the title "Epic" since the film's concept sure sounds like one, but that word is mostly described on the visuals and the setting than the actual story. Those wondrous landscapes can be a perfect world to set epic stories and battles. The plot displays some themes that could have been compelling like the relationships of these rebellious teenagers to their mentors, and redemption motivated by loss. But instead of making rich characters, they took the cliché points like generic romantic subplots and cute crass comic relief characters. It totally forgets whatever that would have been powerful and unique for the genre. And the cast who are known for music indeed sings in the film. Because they can sing! If you can get away from the clichés, then sadly you can't deny how much little soul the film provides. Also the villain is less exciting when all epic villains are supposed to spice things up.

The mythology behind the story is kind of intriguing, at least. Stories about tiny hidden worlds are already familiar, but Epic tries to deliver something much interesting about these heroes who are called "Leaf Men" and their connection to the forest's order. The narrative tends to fascinate at the beginning, but it becomes a forced exposition and sometimes played for more laughs afterwards. The animation looks enchanting which is the only remarkable merit the filmmakers have done.

My personal complain sounds too hipster. I understand it's a family film that is trying to be fun for everyone, but back in the days there were animated films that are actually epic and liked by many without cluttering any stale elements that lies amongst this film's storyline. In the overall picture, it does not fill enough depth, heart, and soul to the story. What's left to praise is the appropriate epic tone to the action scenes, and a bunch of visuals and ideas that anyone could root for. Epic is a waste of potential for being a real epic or probably a classic.

Fmovies: When you're vying for a slice of the kiddie-dominated box office and your competition is a couple of sequels/prequels with established (and popular) characters, having a moniker as suggestive as Epic is a great way to improve brand awareness. The downside is you instantly set the expectations level quite high, and anything less than, erm, epic, seems like a missed opportunity. Beautifully designed and action-packed, this motion picture from the creators of the Ice Age franchise boasts impressive visuals and exciting set pieces – ultimately creating a tiny forest world that is endlessly inventive and always fun to watch – yet struggles to make an impact where it truly matters: with the story. This environmentally-focused tale is at times too morally forceful and employs blatant cop outs to wrap up its various strands of plot, whilst the main group of players are unoriginal and overly reliant on stereotypical characteristics. The voice cast – including Colin Farrell, Amanda Seyfried, Josh Hutcherson, Jason Sudeikis, Steven Tyler and Beyonce Knowles – are all fine without being memorable, with Christoph Waltz's irreprehensible villain and Aziz Ansari and Chris O'Dowd's crowd-pleasingly hilarious slug/snail combo proving to be the standouts. Epic is a solid family film and has enough to warrant a visit to the cinema during the school break, but sadly it never lives up to its title.

I didn't think I'd like this movie, but I took my 10-year-old cousin to see it anyway, and I really loved it.

I've heard this film compared to everything--FernGully, The Borrowers, Avatar, etc., and while it is another film in that genre and it may be a little cliché, it does create its own fascinating world and tell its story in a unique way. Its themes are heavy (family and belonging, the balance between growth and decay/life and death) but are handled in a successfully child-friendly manner.

The animation and design are gorgeous. I love the cute fairy-like flower and leaf people; I even love the design of the goblin-like bad guys (the Boggan). I want to see more stories set in this incredible little world. I also appreciate how much care went into animating that forest.

While the characters are pretty familiar, they're still delightful. I thought the choice of voice actors was particularly good. I liked Amanda Seyfried as the main character, M.K. (Mary Katherine), I looooved Colin Farrell as Ronin, and I have to say, I was really pleasantly surprised by Beyonce as Queen Tara. She has a voice just like honey, which fits the queen's sweet, playful personality. Queen Tara emerges as one of my favorite animated characters of all time (and NO, I do not find her voice "too ghetto." I don't appreciate people sniffing down their noses at others that way) because she carried so much of the movie with what turned out to be really minimal role. Plus, I always love to see people of color portrayed positively in children's films.

I would definitely take kids to see this again, although it might be too scary for kids younger than 6 and too slow for kids older than 12. Folks have to admit, this is a fun movie to watch, and highly imaginative kids especially will love it.

Epic fmovies. The teenager Mary "MK" Katherine returns to the house of her estranged father Professor Bomba, who is a widower scientist obsessed to find tiny creatures that he believes that would live in the forest. MK does not accept the lack of attention of her father with her and decides to leave him again. However the creatures do exist and protect the forest against the evil Boggans and their leader Mandrake that wish to destroy the forest.

Near the solstice, Queen Tara chooses a pod to inherit her healing powers, protected by the Leaf-Men and their leader Ronin. However, they are surprised by an attack of Mandrake and the Boggans and Queen Tara is deadly wounded by Mandrake.

Meanwhile, MK is leaving home and she looks for her three-leg dog Ozzy that has ran to the forest. She finds Queen Tara dying and she shrinks MK with her powers and gives the pod to her. Further Queen Tara asks MK to take the pod to Nim Galuu. When Ronin meets them, he decides to bring MK and the pod to Nim Galuu, with the protection of the young Leaf-Man Nod and the slugs Mub and Grub. Along the dangerous journey, they are chased by Mandrake that wants to bloom the pod in darkness to destroy the forest.

"Epic" is a delightful animation with a story of a fight between the good, represented by tiny creatures that protect the forest and environment, against the evil Boggans that want to destroy the forest. The plot has a beautiful message and is a wonderful family entertainment. My vote is eight.

Title (Brazil): "Reino Escondido" ("Hidden Kingdom")

Epic is about a smart, spirited, and headstrong 17 year-old, teenager named Mary Katherine "M.K." who, after the death of her mother, moves back to live with her estranged father, Professor Bomba, along with her pet dog, Ozzy. Bomba has long studied a group of warriors who live in the forest and protect it as guardians of good. He often will go into the forest and survey them. She, like every other human in the movie, doesn't believe in all the stuff her father has devoted particularly his life to. She loses patience with him and his stories and their reunion is all but a disaster. One day, the professor does not return from a hike in the forest, so Mary Katherine sets out to look for him. Hours later, she comes upon a group of glowing, falling leaves. Catching one of them, she is suddenly shrunken down. In her minuscule state, she discovers the group of warriors Prof. Bomba has studied, who are known as the Leaf-Men. When she is forced to reside with the Leaf-Men, she gains a new perspective and developed friendships with everyone in the forest. To find her way home, M.K. must do than believe in this world; she'll help to save it from the Boggans and their ruthless, villainous leader Mandrake. This is a story about betrayal, sacrifice, friendship, love, bravery, courage, and caring for something else rather than yourself.

The acting is really superb and all the actors have great chemistry together: Amanda Seyfried, Josh Hutcherson, Christoph Waltz, Colin Farrell, Aziz Ansari, and Jason Sudekis are terrific, while Beyoncé is the best of all. She is a real acting triumph in the film, and her performance is so critical in the film, as Queen Tara will do anything to ensure the safety of the forest and the lives of her friends, and that she leaves M.K. a very important mission to do her behalf when she couldn't. She brings a lot of integrity, passion, and heart to her role and helps carry the film with spectacular grace.

There's a lot to love about the film, including its production design, visual artistry, and the 3D, which are as dazzling, grand, spectacular, and innovative as, say, Avatar. The 3D is really worth the price of admission; the film features strong emotional depth and an immersive experience that can be greatly experienced in 3D, and the animation, in particular, is terrifically phenomenal and realistic. Danny Elfman did a very good job with the music score as he captured the spirit, excitement, essence, and heart of the film.

With the script written by William Joyce, James V. Hart (Hook, August Rush), Tom J. Astle and Matt Ember (Get Smart), and Daniel Shere, the story's narrative was famillar to other films, but so was Cloudy with a Chance of Meatballs, How to Train Your Dragon, Hotel Transylvania, and The Croods, and yet, it was cleverly written that it stands out on its own from other films so there's nothing to worry about. They, along with Chris Wedge and the story artists, have aggressively expanded William Joyce's original story by giving it fantastical mythologies about the forest, more development on the characters, and the supplementing the action-adventure genre in the story as Wedge envisioned. I liked the fact that Joyce worked on the script, because when you have a small story that was expanded to be more ambitious and dramatic, then it's best to have input from Joyce as he included a lot of cool and interesting plot points in the film.

For instance, Joyce modeled Mary Katherine (M.K.) very much after his own daughter; she, unfortu

This is without a doubt the most fantastic visual animation I've ever seen. It brought to mind i) nature scenes on Pandora in "Avatar", ii) lush vegetation jungle scenes from "Up!", iii) the whole valley turning green at the end of "Princess Mononoke", and iv) the infinitely graded colors in "Oz the Great and Powerful". (I watched it in 2D, and don't know what 3D is like.)

But visually it outstrips all of those. The plants are real ones we're familiar with (not imagined ones); scenes are incredibly detailed (not one fern but tens of them, not one blossom but hundreds); biological growth and decay is of individual plants seen up close (not a very long shot across a whole valley); and all the vibrant yet subtle colors appear in nature (not a fantasy world). Vegetation unfurls and extends as we watch, and it all seems perfectly realistic and believable. We see the whole process of burls developing on live trees in just a few seconds over and over. We see growth meristems probing for the best direction and expanding little by little. And we see the slight shifts in color that signal the beginning of more decay or more growth.

All the animation effects technology has already conquered --fur, musculature, waves, droplets, rain, crowds, flying, moving cameras, etc. etc.-- are also deployed virtuosic-ally in the places the storyline calls for them. From my aged (about 60) perspective, it seems suitable and enjoyable for all ages (although it's rated PG) ...and not because adults will see a different film as they understand the more salacious meaning of double entendres - there aren't any. There isn't any notable music nor abstract visual patterns nor references to fairy tales either, other things frequently associated with animations.

The story is decent too. It's a seamless melding of realities (such as a brusque taxi driver) with fantasy (tiny beings riding hummingbirds?). It proceeds organically, eventually incorporating pretty much everything that happened earlier (even things that appeared to be already completed or even unrelated). The typical joke is mostly visual, developing slowly over many seconds - no one-liners here. There are not a lot of the ironic jokes that have been prominent in many recent animations. (In fact this movie is often relegated to "kids film" or "family film", which makes me feel a little silly for enjoying it.) The ending is positive but not saccharine -- there's resolution ...but not of everything.

Comic relief is provided by a tag team of a snail and a slug. A typical gag is something about "eyes inside your head" or "everybody hide in your shell" (slugs of course don't have shells). I found it adequately funny (but not laugh out loud funny). Humor is a very personal thing though, and I suspect some of the more "with it" young adults will find it painfully unfunny.

The flights, the fights, the falls are gripping. This is edge of your seat stuff. And the tiny perspective casts familiar things in a new light: a mouse becomes a threatening giant, and a looming doggie kiss would mean serious injury or even death. Pick a theater with a really big screen and a newish projector, and sit toward the front. And if you're an animation aficionado plan to attend more than once. Also, sit through the end credits, as the level of detail and imagination in the background visuals --often throwaways or repeats, but not here-- is astounding.