Drums Along the Mohawk (1939)

This film has everything, drama, humor, and action. My favorite character is Mrs. McKlennar, played by the great Dame Edna May Oliver (also see her in A Tale of Two Cities). She's got the right combination of real independence, sauciness, and feeling. Henry Fonda and Claudette Colbert are also fine as Gil and Lana. The usual John Ford stock company (Ward Bond, Arthur Shields, etc.) are in evidence in the well cast supporting roles. I'm kind of surprised that no one has targeted this story for a remake, though it might be a case of watching out what you wish for - it could be ruined by political correctness. Anyway, sit back and enjoy.

Fmovies: Other comments on this film quite well echo my sentiments: John Ford once again exhibits his mastery of the medium, with a minimum of the sentimentality to which he sometimes succumbed; a very young and handsome Henry Fonda wonderfully embodies an ordinary man virtually forced to perform feats of extraordinary heroism; Claudette Colbert, although she seems out of her usually sophisticated element, really cannot be faulted, especially when one considers the Hollywoodized glamor of her makeup and costuming; and Edna May Oliver, heading Ford's customarily astutely chosen supporting cast, almost steals the picture.

But, to my eyes, it is the unusually beautiful Technicolor cinematography by Bert Glennon and Ray Rennahan (the latter being the credited cinematographer on the first feature-length film in three-strip Technicolor, 1935's "Becky Sharp") who deserve the most accolades. Their work simply glows and has that special crispness characteristic of certain early Technicolor films (many of which bore the Twentieth Century Fox label, as it happens.) No doubt, working on outdoor locations with the cumbersome equipment and lighting requirements involved in the use of the Technicolor process at that time, not to mention the lengendarily dictatorial control of the Technicolor Corporation's czarina, Madame (Natalie) Kalmus, and her frequent associate, Henri Jaffa, Messrs. Glennon and Rennahan managed to accomplish one of 1939's finest achievements in color cinematography. With Alfred Newman's fine musical score and all of the other first-class production values lavished on this stirring tale, "Drums Along the Mohawk" deserves a place among the best recreations of those remarkable personal stories that were part of this newly emerging nation.

I am not aware if the available VHS tape transfer does justice to the prints struck from the original negative, but American Movie Classics occasionally shows this title (mercilessly chopped up with endless commercials, etc., as is now their wont) in a version that makes one realize why the invention of color television broadcasting just had to happen!

This is one great film to look at on a lazy afternoon. It is definitely the finest film John Ford ever directed without the use of John Wayne. The timing of the release of it was interesting due to the fact that the world was edging ever closer to the brink of war and the country needed something to help boost morale. Also, the performances in this film were great as well. Henry Fonda and Claudette Colbert were wonderful, but the character that really stood out for me was the old spinster, Mrs. McKlennar portrayed by Edna May Oliver. Too bad it had to be released in 1939. Due to all the great releases that year, this film definitely got lost in the shuffle.

Drums Along the Mohawk fmovies. An early novel called " Drums Along the Mohawk " written by Walter D. Edmonds is the foundation for this motion picture of the same name. It relates the story of Mr. and Mrs. Gilbert Martin (Henry Fonda and Claudette Colbert) a young, married America couple moving from New York city to the early frontier to begin a new life. The time coincides with events from 1776 thru the end of the Revolutionary War. As most Americans have learned from our history, life was incredibly harsh. Indeed, when not working on the toils of the farm, early colonists were often at war with the Native American tribes who had sided with the British army. After their farm is burned and losing their first child, their lives are constantly threatened, they move in with Mrs. McKlennar (Edna May Oliver) a wealthy widow woman to supplement their meager existence. Most of the film is dedicated to the hardship of early frontier life and includes the destruction of their farms and their valiant defense inside the nearby fort. John Carradine, plays the heavy named Caldwell with Arthur Shields playing Rev. Rosenkrantz. For many reasons John Ford creates a formula for the movie establishing himself as a superb director. This early Color picture is fabulous in many ways, not the least is the excellent cast and exciting drama. It's little wonder it has become an excellent Classic. Recommended for all audiences. ****

I've used this movie in many history classes. It illustrates life during these turbulent times when people were moving to the frontier and just trying to live their lives in peace. However, other people had lived on those lands and now wanted it back and war erupted. The American Revolution is vastly different for people on the frontier. There was no help -they had to rely on each other to protect their farms, their families and livestock. It was a hard life but they managed to find humor and enjoyment even during the hardest of times. This movies illustrates the new culture that had to evolve in order to survive. Fighting Indians, British and French became a way of life during this period. These people developed a strong bond of friendship and family. They helped one another in many ways. The only way to get communication from Albany was at church on Sunday when the Reverend would give everyone the latest news about the war as well as cloth that had arrived at the general store in Dayton. It's a good story and one that will remain a favorite.

Drums Along the Mohawk is the story of newlyweds Henry Fonda and Claudette Colbert and the trials they faced trying to make a life in the Mohawk River Valley during the Revolutionary War.

The Upstate New York theater save for the key battle of Saratoga was one of the backwater areas of the American Revolution. Still it has a colorful history and it's the one area of the Revolution where the British made use of their allies among the Indians.

Specifically the Iroquois who had supported the British against the French in the Seven Years War 20 year earlier. As a consequence of that support, the Indians were guaranteed no white settlement west of the Appalachian mountains. Saying that and enforcing that were two different propositions. Farmer pioneers as depicted by Fonda and Colbert were not about to be turned back by words in the Treaty of Paris. Of course the Indian side to it was never told on screen at that time in Hollywood.

Still those were brave people who pioneered and the film is a tribute to them. The real person of Nicholas Herkimer and his brave death in the Battle of Oriskany is woven into this story. Herkimer is played by Roger Imhoff and he was the son of German settlers from Hanover. Remember George III was Duke of Hanover and lots of German settlers came to the colonies. Imhoff plays Herkimer with correct German accent and as the gallant hero he was.

John Carradine plays Caldwell the one eyed Tory who leads the Iroquois, Why John Ford just didn't use the real name of Walter Butler for Carradine's character I couldn't say. Yet Caldwell is based on Butler who was right up there with Benedict Arnold as one of the Revolution's deepest, darkest villains. Carradine does well with the part, no shades of gray in his portrayal. You might recall that Butler was one of the 'jury' at the trial in The Devil and Daniel Webster and Lionel Barrymore played him in D.W. Griffith's silent classic, America.

Edna May Oliver is the pioneer widow woman who takes in Fonda and Colbert after their own place is burned to the ground during a raid and won an Oscar nomination for Best Supporting Actress. She was a hardy soul and she steals the film.

This is John Ford's first Technicolor feature and he really did well in the cinematography department. The forest greens of upstate New York really are depicted well, especially in the part where Henry Fonda is being chased by the Indians as he goes for help in the climax.

Upstate New York was a key area of the American Revolution. With the British occupying New York City for most of the war, upstate was the bridge in which those rabble rousers in New England kept connected with the south. It's why the Battle of Saratoga was so important, why Benedict Arnold's aborted treachery in turning West Point over to them was so important. If it wasn't for those yeoman farmers in the Mohawk Valley there might not be an America today.

And the Mohawk Valley was more important afterwards because another man with vision who was New York's governor named DeWitt Clinton had an idea to extend the headwaters of the Mohawk River straight to Lake Erie with a canal. That act opened up the northwest to trade and made New York the largest city in the USA. No doubt the descendants of Colbert and Fonda worked on the Erie Canal as well.

Drums Along the Mohawk is a nice tribute film to some brave people whose battles on that sideshow theater of the war made possible the very existence of America.