Disconnect (2012)

I found this film, directed by Henry-Alex Rubin and written by Andrew Stern, to be a most riveting and powerful drama.

With a formidable all-star cast, it tells the tale of three stories which are all linked to social media and internet sites. The movie issues clear warnings of the inherent dangers that can be present for users, and the possible tragic consequences that can occur.

To pick out a couple from the myriad of strong performances here, I thought Andrea Riseborough was superb, as Nina Dunham, an ambitious TV reporter who gets more than she bargained for when she tries to run an investigative feature on online sex sites. Also, Max Thieriot is excellent, as Kyle, who will do whatever his Internet customers want him to do sexually, and is the subject of Nina's expose. Also, Frank Grillo, Jason Bateman, Paula Patton, Alexander Skarsgard, Colin Ford, and Michael Nyqvist add well to the mix.

I've seen some reviews who compare this film in a way to "Crash". I would agree, with the connected stories and atmospherics being similar, in my opinion. As each story came to its' conclusion I found myself at the edge of my seat as the dramatic tension played out.

Fmovies: And the award for the 2013 film most reminiscent of the Oscar-winning Best Picture "Crash" goes to "Disconnect."

Though, in defense of "Disconnect," it's a much better film than Paul Haggis's hot mess. It's directed by Henry Alex-Rubin, whose only other screen credit that I'm personally familiar with is the excellent 2005 documentary "Murderball." It examines the toll social media takes on personal relationships, and like "Crash," it examines the paradox of a world in which communication with other humans is easier than ever before, yet in which everyone feels lonelier than ever. It brings together a number of stories and makes connections between them, and like any screenplay that relies heavily on this narrative approach, some of the connections are more graceful than others. The film culminates in a montage of violence, in which the characters in the various stories finally and literally connect with each other in the only way they know how -- through violence. Parts of this climax, particularly a story featuring Alexander Skarsgaard and Paula Patton as a married couple who fall victim to identity theft, felt over done, but Alex-Rubin mostly keeps a firm and sensible hand on his material and doesn't let his film become preachy the way "Crash" did.

One of the things I liked most about "Disconnect" was the way it captured just how reliant we as a race have fallen to all electronic devices. Some type of gadget makes an appearance in literally every scene of the movie -- characters sit around checking their phones, listening to their music, tapping away at their laptops -- and yet it didn't feel forced by the screenplay in order to make a point. It felt like the way the world actually looks now.

Grade: A-

Disconnect (2012)

**** (out of 4)

Excellent character study looking at a group of people who have their lives damaged due to activities that they do through the internet. One story deals with a married couple (Paula Patton, Alexander Skarsgard) who are mourning the loss of their child when they discover that their identity has been stolen. A lawyer (Jason Bateman) tries to understand what happened to his son that made him do something drastic. A television reporter (Andrea Riseborough) uses an internet sex actor (Max Thieriot) for her own needs. A former cop (Frank Grillo) discovers that his son might have done something morally wrong. DISCONNECT eventually brings all of these stories together. There's no question that none of these stories are masterpieces and I think it's fair to say that many of them play out exactly like you'd expect them to. Normally this here would kill a movie but director Henry Alex Rubin and screenwriter Andrew Stern do a terrific job at giving us characters we care about, want to know more about and this helps carry the entire picture. I think this film offers up a very good concept of how people have lost touch with reality and sometimes enter dangerous situations online simply because they have nothing better to do or they're looking for some sort of connection that they can't find in their own lives. The film really does a good job at explaining all of these characters and really developing all of them so that you really do feel as if you know these people and understand everything they're doing and why. It certainly doesn't hurt that we're given so many excellent performances. Both Bateman and Grillo really stand out as parents who fear that they have let their children down. Thieriot, making waves on 'Bates Motel,' also is very good in his part. The entire cast really does shine and this here says a lot about their talent but also the screenplay, which gives them so much to do. Again, I think many people will see the ending coming but it really doesn't matter because of the emotional connection that you get with the characters. DISCONNECT is certainly a gem of a picture that shows what a great script, direction and acting can do.

Disconnect fmovies. I have not seen a movie like "Disconnect" in a long while. It has this style of telling about the lives of various different seemingly unconnected characters working up to one common story that intertwines all of them together. A decade ago, this style was very popular. This was first brought to prominence by the acclaimed Mexican movie "Amores Perros", and then we saw it in "Traffic", "21 Grams", culminating in the Oscar Best Picture Award given to "Crash." "Disconnect" brings us back to those days when complex intersecting story lines ruled the cinemas.

"Disconnect" leads us into the lives of four characters and their families. What all of them have in common is that they all have been a victim of some sort of Internet crime and abuse. The start of the film was very discomforting to watch. We witness how various internet chat sites can be so dangerous. This is true whatever the nature of this chat site is, whether this is a private pornographic live chat room or a support group chat room for bereaved families. We will see sexual exploitation, bullying, fraud, identity theft, and various other internet crimes in action. We will also see the adverse effects these crimes have on the victims and their loved ones.

The actors were all very good in their roles. I recognize a few of them. Jason Bateman (from "Horrible Bosses") is the busy lawyer whose introverted son was bullied at school. Paula Patton (from "Mission Impossible Ghost Protocol") is a lonely neglected wife who confides her problems on a chat room with someone who could have just stolen all their money. Andrea Riseborough (from "Oblivion") is a television journalist determined to go up in her profession even if it would cause problems to the young man who granted her the interview which would land her on CNN. The other young actors playing the bully, the bullied, and the sex site boy toy all gave memorable performances as well.

The pace of the movie is slow, and I think this was deliberate to make us feel how insidious these crimes can be. They can be happening to us without us ever knowing about it, until the consequences hit us squarely on the face. The director makes us of very dramatic camera angles and apt visual effects to emphasize his points. The editing done was very effective to create an intense feeling of dread and tension. Despite the PG rating given this film locally, the topic of the film is very adult, as well as the treatment, with scenes of nudity, sex, drugs and violence.

This is a very serious and very thought-provoking film for this Internet Age we are in right now. In our obsession to remain connected to our virtual world on our favorite social media sites, are we actually being disconnected from our very own families, and other flesh and blood people around us? A must-see for all netizens. Highly recommended. 8/10

This movie has three parallel stories, with one important thing in common: real lives unravel as their presence on the media, especially the social media, spirals out of control. Moreover, as it turns out, each story ends up intersecting with one or both of the others.

There is Ben, a lonely teen who is hideously deceived and then callously exposed on the Web by two mean-spirited schoolmates. This drives Ben to make a grave decision that will leave his future hanging by a thread and his parents and sister reeling.

Then there are Cindy and Derek, who are trying to grapple with the death of their baby. As if that weren't enough of an issue in their life, they discover their credit cards have been maxed out. The private eye they hire, Mike, backtracks Cindy's and Derek's every online move, with unexpected revelations. Moreover, the result of Mike's investigation turns out to compound the problem rather than solve it.

Finally, there is Nina, an up-and-coming TV news reporter who gets her hands on the life story of Kyle, an older teen engaging in a salacious line of work performed online in front of a camera. Nina's TV piece is at first widely applauded, but its broadcast unleashes an avalanche of trouble for both Nina and Kyle, as well as for other people in their career lives.

A ready interpretation of the title "Disconnect" is to associate it with the dangers of "disconnecting" with real people in the real world. And indeed: people in this movie do communicate a lot via text messaging, and in chat rooms. In these spheres, things are sometimes not what they seem—and neither are people: two characters make up another, and communicate with someone else pretending to be that person, with potentially lethal consequences.

But the title "Disconnect" can also be taken as an imperative: "Disconnect!" Log off already! Otherwise, you will forget real existences cannot be edited, backed up, deleted, and restored like virtual ones. Actually, real life in this movie interferes with virtual plots in a way that even the latter take unintended twists and turns.

It turns out Mike not only changes Cindy and Derek's life (they set out to make a dramatic move as a result of Mike's investigations), he also is forcibly involved in the story around Ben. Ben's dad, in turn, is a legal counsel at the TV station where Nina works; that way, he is drawn on two fronts into the fallout from risky behavior of teens on the Internet.

While this is Nina's immediate connection to another story in this movie, the mere fact that she is a TV personality probably superimposes her story on the others: just as everybody is online these days, everybody still consumes sensational TV news. (Need it even be said: when you turn on your TV, you also "disconnect" from real life.)

The three stories progress at a similar pace and climax at the same time. After all the scheming, searching, plotting, and just plain misunderstanding emanating from cell phones and computer keyboards, the scenes suddenly stop in freeze-frame. Real-world existences clash in an ultimate, inevitable collision. The disconnect comes home to roost.

I'm going to keep this a simple review, there's plenty of longer ones if you want that. I went to this movie with zero expectations. I wanted to see a movie today and this just happened to be 1 of the 4 playing at my small theater. The movie was very well done. All 3 stories were intriguing and believable. Many sad stories such as these are often over-dramatized and make me hate them. However, I found this one to hit the drama level perfectly. They make you feel for the characters and believe their actions (to which I'll say all of the actors did an AMAZING job, particularly the kids).

I almost wish I could see a feature-length movie of 2 of the 3 stories in this. Those being the bullied kid and the other of cyber sex ring. Those 2 were definitely hit their mark. I thought the 3rd, with the couple who lost their money to identity theft, was good as well...but perhaps not to the same level as the others. To be fair though, the other 2 might just have been more intriguing of a topic for me.

Just a quick comment on the Rating: Personally, I think this movie should have been rated PG-13. There was only light violence (not gloritized, either) and very brief, tasteful nudity. All while 2 of the stories were relating to very real scenarios related to kids. Meh, maybe I'm just being silly thinking kids can handle movies about topics they clearly live through.