Bulletproof Monk (2003)

I went into this movie looking for a cheesy martial arts movie. I was surprised to find that the movie had more quality than expected. This is not to say that the production values were the greatest. The movie followed all the asian movie stereotypes but was done better than most cheap movies. Good movie overall, better than I expected.

Fmovies: For a clichéd piece of fluff, because that's clearly what BULLETPROOF MONK is, it's a far better film than you might imagine. Much of that likability rests on whether you like or loathe Seann William Scott, the actor best known for his goofy roles like Stifler in the American PIE films. I have to say, I love his acting and I find him a very funny person, probably the only person in Hollywood today who can bring a smile to my face. So much of my entertainment in this film came from his appearance, playing a thief turned hero.

Elsewhere, this is the kind of bogus mystical flick that gets churned out regularly by studios. It's very similar to THE MEDALLION, with Jackie Chan, which came out in the same year, and I enjoyed it equally as much as that movie. One thing you have to remember is that these are lightly plotted bits of nonsense, heavily clichéd throughout and displaying the kind of wirework I usually loathe. BULLETPROOF MONK is a silly film, sometimes completely stupid – like the villain's lair, for instance – but it's hard to dislike as a buddy-buddy type comedy.

Chow Yun-Fat is the straight man, used to doing this kind of noble hero stuff in his sleep, and the film just kind of takes place around him. Scott supplies the comedy, I'm not sure what Jaime King is around for other than to look very pretty, and Karel Roden is a Nazi villain who seems to have come straight out of HELLBOY. There are some other amusing bit parts, like the appearance of Mako in one of his last roles, plus British television actress Victoria Smurfit playing another villain with a stiff-upper-lip accent.

The action isn't great, but it has a nicely violent edge for what is essentially a kid's film. I didn't care for the wirework, but the straightforward fighting scenes are good. They rip off Jackie Chan films pretty heavily for the style, choreography and reliance on props, but that's not necessarily a bad thing. Special effects are decent and the film has a good pace. While the dialogue isn't entirely credible and some of the minor characters/situations completely laughable, and not in a good way, for the most part BULLETPROOF MONK is amiable tosh and a film I got a lot of enjoyment from.

In 1943, in Tibet, a monk (Yun-Fat Chow) renounces his name and becomes the new guardian of a powerful scroll. Meanwhile, a troop of Nazis leaded by a sick commander invades the monastery and kills the other monks, trying to steal the scroll. The monk without name spends the next sixty years protecting the scroll and looking for his successor, who shall be a person who fulfills three prophecies. In USA, he meets the lonely pickpocket Kar (Seann William Scott), and he believes that Kar may be the next protector of the scroll. Kar stays with the monk and falls in love with the beautiful Jade (Jaime King), while the monk is chased by a gang leaded by the former nazi commander and his daughter Nina. I found this film a good entertainment. There are lots of action, funny moments and in the end, it is a good action movie. The beauty of the unknown Jaime King is very impressive. I really did not understand why the scroll is not simply destroyed, since neither the guardians nor the monks use its power except for keeping the youth of the protector for sixty years. Further, the motives for the parallel life of Jade are simply ridiculous. My vote is seven.

Title (Brazil): 'O Monge à Prova de Balas' ('The Bulletproof Monk')

Bulletproof Monk fmovies. I really wanted to like this movie. I generally enjoy Chow Yun Fat in virtually any role, I tend to enjoy martial arts films, and I am a Taoist so I at least sympathize with various forms of Buddhism. Furthermore, I believe that comic book based films are finally coming into their own as commercial cinema. However, Bulletproof Monk, though entertaining at times, never really grabbed me. I was left with the same sort of feeling I got from Tomb Raider, Aliens vs Predator, etc. Though I found Chow Yun Fat's character likable, I frequently found myself asking 'who are these people and why am I supposed to care about them?". There is a certain one-dimensionality to the characters, the script and the portrayals which can not be escaped in this film.

Chow Yun Fat has been charged with the protection of a scroll which is endowed with the secret of eternal life for over 60 years. The scroll is sought by a maniacal nazi who inexplicably turns up in Tibet during World War Two and equally improbably leads a small contingent of followers in New York city in contemporary times. Chow Yun Fat, who is in NYC for an unknown reason (probably not the best place to protect an ancient scroll of incredible power and importance), playing an unnamed Tibetan monk is pursued by this militia just as he begins to befriend a protégé who he believes might be a prophesied successor in his task of protecting the scroll (Seann William Scott). An uneasy apprenticeship begins...

The script is packed with martial art / Hollywood-Buddhist philosophical clichés, though I have to admit that this film does Buddhism better than many of its competitors. Most of these paradoxes and objects of meditations are unfortunately delivered in matter-of-fact disaffected tones. Similarly, the fight scenes are technically interesting, and convincingly violent, but generally devoid of any emotional content or ferocity. Compare any of these scenes to any performance by Bruce Lee, for example, and you'll see what I mean. Of course, Bruce was not really a traditional Buddhist, not a very ttraditional martial artist.

The cinematography is good. I especially enjoyed seeing so many familiar sights in the world's greatest city, and some of the artistically fantastic if not entirely believable sets. It was also nice to see old friends like Mako. Unfortunately, Seann William Scott's uneven performance only reinforced the frigidity of the film.

Bulletproof makes for a decent light night's entertainment, but little more. Worth seeing for martial arts and action fans.

I have just gotten back from seeing Bulletproof Monk (literally) which is essentially a very cheesy movie, but dammit if it isn't fun! I knew the movie was going to be silly, but I just wanted to see some wire-fu and be entertained.

The story is silly, it's about a monk who has to protect a scroll that when read will give the reader ultimate power (of course the protector of the scroll gets the magical power of wife-fu abilities). This monk (who has no name) has to find a new protector because it's been 60 years. So he chooses a pickpocket named Kar to become the nameless monk. And then they cavort around and run into a group of neo-nazis after the scroll (those wacky neo-nazis!) a Russian mafia princess named Jade (played by the smoking hot Jaime King) and a British guy with a mohawk named Mr. Funktastic, who lives in the underground of the New York subway, and keeps making verbal threats to cut men's genitalia off.

This movie takes itself lightheartedly, so the main duo of Seann William Scott and Chow Yun-Fat act like they are cast in a buddy cop film. Both Scott and Chow are funny (especially Chow), the wire-fu is entertaining, Jaime King is hot, and the whole movie works.

It's not the best film ever, and I couldn't tell you if it's the best Chow Yun-Fat film ever, since my local Hollywood video lacks his Hong Kong imports. But Bulletproof Monk may entertain those who like cheesy martial art flicks, or appese the action junkie while he has to wait to see the next summer blockbuster. I don't like rating systems, but if I did I would give it a 6 out of 10. It's not great but good. Have fun with it.

I'll be brief.

The movie starts with a bang, and ends with a boom, with plenty of pops and kabangs along the way.

You want a movie that's fun, with likable actors, good action, a light plot that moves right along, and more than a few genuine chuckles? This is one of those.

Watching Chow Yun Fat work is fun, whether he's giving life to a substantial, full orbed character such as in Crouching Tiger, or to a more stereotypical one as the Monk with No Name.

Don't confuse the movies, and you'll have fun. As for all the vitriolic, acidic critics... maybe some folks just need to take themselves just a tad less seriously.

Or a few tads.