Brute Force (1947)

Without a shadow of a doubt, Brute Force is a classic movie that still stands today, as a powerful piece of film-making. Everything about this movie is top notch - the acting, the direction, the cinematography, the pacing are all essential ingredients in this superb film. Although there's not a weak link in the entire film, special mention must go to Burt Lancaster, Art Smith, John Hoyt, Charles Bickford, Sam Levene, and Hume Cronyn as the evil & sadistic Munsey. The deft touch of Jules Dassin is there for all to see, and the film builds to a tremendous climax. In 1947 this must have been an extremely powerful and hard-hitting film, and it remains so to this day. For anyone who appreciates movie-making at its best, this is hard to beat.

Fmovies: For the era it was made(late 1940's),BRUTE FORCE is surprisingly brutal and vicious in places,pre-dating similar antics from James Cagney two years later in WHITE HEAT. The majority of Hollywood prison movies seem to have riots in them and this is no exception,but BRUTE FORCE has arguably the most explosive of the lot,with tear gas,shootings,and killings galore. Mind you,with a warder as brutal as Hume Cronyn(who sadly died recently)in charge,it's no wonder.His psychological bulling of mild-mannered inmate Whit Bissell leads to the former's suicide,and savage beating of Sam Levene results in near death. The misery,waste,and isolation of prison life is well observed here,with fine performances all round,but especially from Cronyn and Jeff Corey,as a cringing,cowardly informer,both of whom incur the rage of the intense Burt Lancaster.

BRUTE FORCE This intense, powerful drama stars Burt Lancaster as Collins, a prisoner who's got to find a way out, and Hume Cronyn as the sadistic Captain Munsey, who delights in torturing the inmates. Cronyn is masterful -- cast wonderfully out of character, his slick, soft delivery takes on a skin-crawling menace. Lancaster is appropriately hard and driven, but the fact that he's breaking out to be by his dying girlfriend's side seems facile. The weakest elements of this film are the flashbacks to how his cellmates got locked up. (It seems obvious these scenes are contrived to introduce women into an otherwise all-male cast.) It turns out none of them are really bad guys except Lancaster, who appears to be some kind of gangster. We aren't given much insight into his character; we know he's smart and a leader, but he's clearly got a tendency toward violence. Ultimately, however, it's not about how they got there, but who they are when they get there. It's about what pushes a man past his breaking point and what happens after that. Weaknesses aside, this is a worthwhile, thought-provoking film with excellent performances all around.

Brute Force fmovies. One of the best prison movies ever made.Jules Dassin's direction is so strong ,so precise,so mind-boggling it packs a real wallop.Hume Cronyn gives a subdued but extremely scary portrayal of a sadistic brute.Always in a suave voice,always saying "I want to help you",there's only one way for him:the hard one.Burt Lancaster is equally efficient as a tough inmate .But the whole cast cannot be too highly praised.

The cast and credits read :"the women from outside" .There are four flashbacks which really fit into the movie.All of them last barely two or three minutes but they could provide material for four other movies. The first one (Flossie's ) verges on farce ,it is the comic relief of a desperate movie and we need it!Then the "fur coat" segment which is some kind of Cinderella turned film noir.The third one,perhaps the less interesting (everything is relative!), features Yvonne De Carlo as an Italian girl during the war the former soldier was in love with .And finally Burt Lancaster's story, he tries to find money to pay his girlfriend's operation.

These flashbacks are not gratuitous:all that is left to those men is memories .Besides,the last line tells us something like that:"nobody will escape!nobody!" More than ten years before ,Dassin had shown what French director Jacques Becker would do in his famous prison movie "le trou" (1960) : the prison as a metaphor of the human condition.

There are lots of scenes which will leave you on the edge of your seat.My favorite scene: the informer's death while Lancaster is securing his alibi with the doc.But the final is awesome too,something apocalyptic.

In the Westgate Penitentiary, the Warden A. J. Barden (Roman Bohnen) is a weak man, and the institution is actually ruled by the ambitious and sadistic Captain Munsey (Hume Cronyon), who uses violence, fear and treachery to control the prisoners. After the suicide of Tom Lister (Whit Bissell), one of the inmates of cell R17, provoked by Captain Munsey, the prisoners loses their privileges and rest of the group of cell R-17 leaded by Joe Collins (Burt Lancaster) is sent to hard and insalubrious work in the drain pipe. Joe uses a successful strategy of war trying to escape, attacking the tower of the penitentiary from the outside with his men, and from inside with the team leaded by the leader Gallagher (Charles Bickford). However, the plan fails, ending in a bloodshed.

Sixty years after the original release date, "Brute Force" is still a great movie of prison. The story is very well constructed, with flashbacks showing the connection of three inmates with his women. The violence is not explicitly disclosed like in the present days, but the cruelty of Captain Munsey can be understood even by the most naive viewer. The direction of Jules Dassin is outstanding with many memorable scenes. Yvonne De Carlo has a minor participation, but a strong role. The moralist message in the end, when Dr. Walters (Alt Smith) tells that nobody can escape from penitentiaries, does not spoil this great movie. My vote is eight.

Title (Brazil): "Brutalidade" ("Brutality")

I've read recent reviews of this film that condemn it for being "outdated" or not "relevant". Um, hello? This movie is is fifty-seven years old! As such, we are treated to typical 1940s Hollywood stereotypes and acting methods, not to mention references to the recently completed war. Yet, even within the pitfalls of the studio system, this film shines as a great example of film noir.

Director Jules Dassin is brilliant with light, and sets the example for the French "new wave" of cinema. Lighting Burt Lancaster from the side, or from underneath, makes him and the other actors look almost surreal.

Most of the dialogue is "clipped" and preposterous, but films from this era often suffer from this same problem. Yet "Brute Force" retains its original power simply by virtue of the dynamite performances, the stirring score, and the gritty techniques of Dassin.

I had to smile during the scene where Hume Cronyn's character turns up the Wagner on his hi-fi so the guards outside his door won't hear the inmate he's about to beat scream. This was mimicked during David Lynch's ground-breaking TV series "Twin Peaks" when a character turned up his radio before he beat his wife. Of course beating people isn't funny, but seeing obvious references in cinema is always a kick.

I highly recommend "Brute Force" to anyone who appreciates the art of film, great directing, and fine performances.