Big Fish (2003)

It was either "Cheaper by the Dozen," "The Haunted Mansion" or this. I didn't exactly feel like watching my favorite comedian run around with a horde of little kids cracking bad poopy jokes behind them, and I didn't want to see Eddie Murphy do this either (it was bad enough in last year's "Daddy Day Care"), so I chose to see the more adult-oriented of these three films, and I'm glad I did, because Tim Burton's "Big Fish" is a marvelous film--full of wit and imagination and eerie vibes that sometimes don't fit into Burton's films the way he wants them to--but actually have a purpose here.

"Pee Wee's Big Adventure" is simply one of the best films of all time, and you can quote me on that. That was Burton's breakthrough--then came "Batman," which was very good but slightly lacking in substance, and then came "Edward Scissorhands"--one of my sister's favorite films, a beautiful love story and an eerie fable...but just missing a very small ingredient that kept it from becoming a great movie (perhaps the same with his film "Ed Wood"--a very good film, but not exactly one of my all-time favorites).

I have my doubts as to whether anyone other than Tim Burton could have pulled off "Big Fish." Here's a movie I expected I would dislike and come away feeling a little bit empty--but that's only partially true. The movie doesn't quite exceed on the level it tries to, but as a film, it's one of the best motion pictures of the year.

It stars Albert Finney as Edward Bloom, an old man who loves to exaggerate tales of his past and pass these on to his friends and family. One night his son, William (Billy Crudup), tires of hearing the story about how he caught the town's largest fish in a lake using a gold ring--so he ignores his father for three whole years, until his mother (Jessica Lange) informs Will that his father is dying of cancer, and that he wishes to speak with his son one last time.

Drawn back to his old Alabama hometown with his new wife, Will finally learns the truth about these so-called "exaggerated" stories--and we, as the audience, get to see them in flashback mode. It begins with a young Edward (Ewan McGregor), a "big fish" who was just too small for his own town and had to move away to search for brighter prospects. On his journey he comes across an assortment of odd fellows, including a "Gentle Giant," a failed poet living in a heavenly town named Spectre, and a strange circus ringleader who also happens to be a werewolf.

All of these stories that Edward Senior tells his family relate to their current positions, and to call the film simply beautiful would be what John Candy once said is "the understatement of the year." My particular favorite character was the poet living in Spectre, played by Steve Buscemi (a wonderful supporting actor), who I had no idea played any role in this film prior to viewing the opening credits and seeing "with Steve Buscemi" appear on screen.

Buscemi's poet has been working on a particular poem for twelve years whilst living in Spectre. "Can I see it?" asks Edward. It says, "Roses are red, violets are blue, I love Spectre." "But it's only three lines long!" says Edward. "That's the reason you don't show your work to people," Buscemi says.

Danny DeVito also appears as the circus ringleader, and

Fmovies: "A BIG FISH in a small pond!!!" the phrase applies to a typical local yokel who better not leave his sequestered Podunk town or else he is in for a rude awakening!!.. Venturesome as though he may be, Ed Bloom leaves his Mayberry, joins the circus, and decides to fall in love...True love comes along less than once in a lifetime...The intuition for true love in this movie is succinctly illustrated through a dark angled idealism, and suddenly, problems with falling in love are romanticized by a myriad of quirky determination patterns, as well as utterly human shortcomings!!. Married, having a son, a house, etc, etc, etc and so on and so on and so on and so forth and so forth and so forth, pans out to whereby his emeritus years become those of expounding dissertation about his exciting dare devil nefarious life as an impervious adolescent.. Spinning Yarns? We know better!!...Try telling his son that...Too incredible!! Too spectacular!! Too heroic!!...Ed Bloom's blindly motivational love and devotion towards the woman he cherishes, makes Romeo and Juliet's relationship seem platonic... Crazy dreams, the supernatural, and negligence of compassion via the compelling illustration of the cold cruel world, make Big Fish a reality as far as being a five star film!!

In the end, Big Fish shows how the aspect of positive human nature prevails, and how a person's life is intricate and meaningful!! The impact your father has on you is indelible, and recognition of unconditional love for your family, and the people around you, manifest themselves in many distinguishable ways, all of them being indispensable!! Ed Bloom is the picture-book example of how exaggerations and erroneous behavior in your life are an integral part of your existence!! You have realized you are fortunate to be human because you are not perfect, the adjective perfect is for calculators, Hallmark Cards, and martinis after work...Ed Bloom had an anything but John Doe in an orange crate funeral.. A numerous cross section of socially diverse individuals had a grass roots recognition of who Ed Bloom was, in that sense, Ed Bloom died a very rich man!! Big Fish was a melting pot of proclivities and acute misconceptualizations that established a colorful obituary as being the ultimate trophy we can be the recipients of for our agenda here on earth!! More significantly, the aggregate affection, as well as the life experiences all of the characters in the movie have had, and would not trade for a million dollars, is something that this film brilliantly portrays, by way of a hail Mary pass that winds up being the game winning touchdown!!.. It was this convoluted philosophical disposition that "Big Fish" so perfectly executed that puts this film in the category as one of the best films ever produced. Expediting faulted emotions is a sink or swim endeavor, and, in this case "Big Fish" swam, (No pun intended) Metaphorically, all of these accolades are a way of saying that the ending to this film was very powerful and cohesive...surprisingly and effectively so!! I give Big Fish a five star rating, and a perfect 10!! This website ranks it as one of the top 250 films ever made!! I totally concur!!

Every other year you get a movie that oozes magic and charm. Think "Chocolat". Think "Amelie". Think "What dreams may come". Perhaps even, "Being John Malkovich". And this year, it's time to think big... "Big Fish", to be precise. All four of these movies have some things in common. Merely describing the premise is not nearly enough to do justice to the mood of the film. And the mood, the emotional reaction of the audience, is in many ways much more important than the actual content. Still, there's no way around it in a proper review: We meet a disillusioned young man and his father, a charming old guy who knows exactly how to tell stories to fascinate first-time listeners and children. Unfortunately, there's barely any of those left, as he retold his magical stories once too often. When his health and life are beginning to fade away, his son wants to finally learn the truth about his father. Meanwhile, we hear his life story, as he tells it... Tim Burton is probably best-known for visual eye candy movies. Few directors can compete with the imagination he's shown in movies like Batman, Nightmare before Christmas and Sleepy Hollow. Outside the realm of darker, more gothic visuals, Tim Burton has so far been somewhat less prolific. Planet of the Apes was an expensive embarrassment, and Ed Wood is a decidedly acquired taste. Big Fish, then, is a new direction for him. Yes, it is eye candy, or perhaps even eye H"agen Dazs. But this time, the movie has much more of a soul than his monkeyplanet. This soul is achieved by two means: a great story (or collection of stories) and great acting. If you don't believe that the story is great, watch the audience. At key moments, everyone was chuckling or laughing, at others, I heard dozens of sniffs and tissues being unpacked around me. Yes, this is heartwarming stuff that a colder, more cynical soul would call cheese. Finally, Burton has found a story worthy of his talents again. And, better yet, he did not forget to encourage his cast to act. For a case study of such failure, see Christina Ricci's completely flat performance in Sleepy Hollow. In Big Fish, the cast is so carefully selected that failure is simply not an option. Ewan McGregor (playing the father in his youth) may not have much more to do than smile, be charming and sustain a Southern US accent, but he does it brilliantly. Much more important are the performances of Albert Finney and Jessica Lange, playing the aged father and mother, respectively. And they both deliver character performances worthy of prizes.

After cheerleading so enthusiastically for this movie, perhaps it is time to take a step back and look at it from a more critical perspective. Yes, it managed to enchant the audience, but it did so the Hollywood way. Special effects and big budget feature heavily. This is in stark contrast to the seemingly much less organized and much more intuitional charm of Amelie. This movie is also much more comfy about its pace - it takes its time just like a good storyteller would, but perhaps leaving behind the five-second-attention-span MTV generation kids in the process. On the other hand, I am tempted to say that its biggest vice is that there just isn't enough of it. Given the episodal structure of this movie, I can almost imagine what it would have felt like as TV series, or multi-part TV movie. I am not sure whether to wish for this to happen or shudder at the thought of "Big Fish: The Animated Series" or some such atrocity. Every st

Big Fish fmovies. Will Bloom (Billy Crudup) is informed by his mother Sandra Bloom (Jessica Lange) that his father Ed Bloom (Albert Finney) is terminal, and he travels with his French pregnant wife Josephine (Marion Cotillard) to his parents' home. Will and Ed have broken relationship three years before, because of the imaginative and fantasized stories told by Ed Bloom about his accomplishments in his youth. Will tries to find the true story of the mysterious life of his father, coming to a surprising discovery in the end.

I am a great fan of Tim Burton, and I really believe that "Big Fish", together with "Ed Wood", are his best works. Beginning with a wonderful and very optimistic fairytale in a magic screenplay, about a very supportive storyteller and dreamer, who sees the world with beautiful eyes. The selection of the cast is another point to be highlighted: the resemblance between the outstanding actress Alison Lohman, from "White Oleander" and "Matchstick Men", and the still very gorgeous and also excellent actress Jessica Lange, is amazing. Ewan McGregor and Albert Finney are also a great choice for the role of Ed Bloom. Although having a convincing performance, Billy Crudup is in a lower level of performance, when comparing with the rest of the cast, which has names such as Helena Bonham Carter, Steve Buscemi and Danny DeVito. "Big Fish" is the type of movie good to be seen many times. My vote is ten.

Title (Brazil): "Peixe Grande e Suas Histórias Maravilhosas" ("Big Fish Abd His Wonderful Stories")

I've had high hopes for this movie since I first heard about it some time ago. After all, most of the Tim Burton movies I've seen (barring Planet of the Apes) have been really wonderful. To say the least, Big Fish did not disappoint me. The story - by no means complex or suspenseful - was simple enough to allow the viewer to really take in the fantasy and mythology in Edward Bloom's tales. One didn't need a surprise ending or secret identities to make this film enjoyable. Rather, it was the simplicity and universal nature of the story that made it interesting. While some reviews have mentioned that the film can seem choppy at times, I didn't see this at all. The transition seemed smooth and logical, and while sometimes I found myself wishing for more scenes of younger Edward Bloom, I never felt bored by any of the movie. Nothing seemed to 'drag'. I was also quite impressed with the quality of acting in nearly the entire cast. Billy Crudup didn't really hit his stride until the end, but he was tolerable through the first three-quarters of the movie. Albert Finney did a great job of portraying a lion on his last legs, bigger than his body but unable to show it. Jessica Lange was amazing and added the emotional oomph that Billy Crudup often failed to provide. And while Ewan McGregor's role was not particularly difficult, at no point did he overplay the character, and his accent (to my ear anyway) never slipped. Though this wasn't as dark as Sleepy Hollow or as bizarre as Edward Scissorhands and Beetlejuice, Big Fish definitely had the Tim Burton touch in its scenery. The colors - whether dull for Elder Bloom's time or bright for Younger Bloom - matched the mood perfectly, and everywhere you looked (especially in Bloom the Younger's timeframe) there was something else to marvel at. Tim Burton fans will not be disappointed.

I approach Tim Burton films with a certain trepidation. Will it be "Edward Scissorhands" or "Batman II?" With Burton you could get a quirky comedy, a dark thriller, or sweet morality tale. And there's always the possibility of Danny DeVito chomping down on a raw fish.

"Big Fish" combines Burton's unusual humor with a heart-wrenching story of a father-son deathbed reconciliation. Albert Finney and Ewan McGregor share the role of Ed Bloom, one of the big fish from the movie's title while an SUV-sized catfish plays the other. Bloom is a metaphorical and literal big fish in the small pond of Ashton, Alabama in this tale told mostly through flashback. Jessica Lange plays his wife and Billy Crudup plays the son, Will, estranged from his father for the past three years. Father and son are reunited as Finney lies dying of cancer.

Ed Bloom has spent his life spinning his personal history into mythological proportions: an early encounter with a very tall man becomes a battle with a house-sized giant; a rural village is depicted as heaven on earth; military service during the Korean War morphs into a behind-the-lines mission that would make Duke Nukem proud. Originally a true believer, Will now knows everything his father has told him was not just an exageration or even a tall tale but an outright lie. In his effort to understand the truth behind his father's stories he learns to love the man as well as the mythology. And Burton delivers a terrific punchline at the end of the film that left me both tickled and weeping, a truly weird emotional state.

Burton deals with mythic themes in "Big Fish." Besides the surface story of the generational tension between father and son he explores the metaphor of the big-fish-in-a-small-pond by examining the impact Ed Bloom has had on the lives he's touched in his workaday contacts with colleagues, customers (he's a traveling salesman), and people in the small towns across the South. Not exactly "It's A Wonderful Life," he still manages to show how all of us -- even the little fish -- have profound effects on the people around us. And of course love -- unrequited and reciprocated -- control almost all of Ed's many adventures.

The acting is wonderful. You will actually believe two Brits and a Scot (Finney, Helena Bonham Carter, and McGregor) are natives of small town Alabama. Lange brings dignity and brio to the role of the long "suffering" wife -- and she still looks great(!)-- you believe she has had a long and loving life with Finney/McGregor. DeVito is a delight in the role of a circus ringmaster. But the scene-stealer is Bonham Carter in the dual role of Jenny and the crone witch.

I rated this movie ten stars and when you see it you'll do the same.