Berlin Calling (2008)

I didn't expect this to be such a good movie. Although I found this movie searching for club/rave movies, this is much more than that. At some points one could find similarities with the themes of "One flew over the cuckoo's nest": sanity and psychiatric institutions is defiantly one narrative theme.

This film has great music too and I never got bored. I guess I should have rated it with an 8/10; but I was surprised by the quality of it. If you compare it of course with movies of Tarkovsky, Kubrick or Bergman of course it does not stand a chance, but for sure it is better than most mainstream American made movies.

Fmovies: Nothing special about the scenario or the story in this film... But the music is something else!!! One of the best soundtracks ever!

I have to be honest, this film is realistic but for all the wrong reasons. Yes, the music is fantastic; yes, the venues are authentic (or appear that way). But I have met and befriended about half a dozen DJs whose behaviour fell within the spectrum of Icka's selfish, arrogant, immature world-view and I can tell you that their behaviour did not lead to the simplistically realised 'happy ending' (such as it is) which is portrayed in Berlin Calling.

The ending scenes in particular left me feeling that the makers of this movie actually believe in the same gloriously-decadent vision that they condemn Ickarus for having. They really seem to be saying that minimal techno is an end unto itself;that all the drug addiction and relationship failures that play a part in its production are just a means to an end, a drop in the ocean of 'immortality' that comes from having one's name etched on a piece of wax. Ickarus' family, best friends, lovers and admirers are all portrayed as mere accessories to his dream; willing slaves to his quest for fortune and fame. Berlin Calling would have been a much better film if its makers had dared to question the greed (both emotional and material) which bound to it in the first place.

Near the end of the film, Icka's Dad blames his son's behaviour on the fall of the Berlin wall. Personally, I found this to be a lame attempt to tack some sort of logic onto the pointlessly infantile behaviour displayed by Ickarus - who for all the world comes across as a spoilt brat. If only there was some proper character development in this film - either in Icka or his supporting (and tellingly, largely-female) cast, then his selfish behaviour may have made sense. But as it is, you come away thinking, this is a guy with too much money and too little brains to appreciate it. In other words, he's about as political as a silk Gucci scarf!

Berlin Calling fmovies. "Berlin Calling" is an ambitious film that looks into the dark side of the German electronic music but doesn't seem to know what to say about it. Director Hannes Stohr makes a wise move in casting real life electronic musician Paul Kalkbrenner in the lead role of (the overbearingly metaphorically named) DJ Ikarus.

On the cusp of releasing his greatest record Ikarus succumbs to the effects of his longtime drug use and is admitted into a psych ward. From here, the film veers wildly in tone recalling the excesses of "Trainspotting" and the tension of "One Flew Over The Cuckoo's Nest" without ever find a middleground. Subplots involving a teenage fan who works at the hospital; his on again/off again bisexual girlfriend and his dealer never really develop into anything substantial. Worse, Stohr doesn't seem to know what he wants to say about drug use. Is it necessary for creative artists? Is it an evil? Is it OK in small doses? He offers middling cases for each scenario but doesn't make any unique observations.

That said, the music in the film is fantastic. Written by Kalkbrenner himself, it casts a great light on the contemporary German electronic scene and if there is any reason to see the film, it's for the music. He manages to make the subtle shifts in tone and mood accessible for even the casual music fan which is a feat in itself.

This movie deals with 2 topics I don't care much about: DJs and drug rehab. It does it so well that at the end I came out wanting to listen to the only electronic music CD I've got, and I read on a famous Psychiatry manual about amphetamines.

Music is great. So is the way it's interspersed with the story. The contrast between his "interior world" and the outside. Like when he made the psychiatrist listen to his music: it was a bit loud for her, consequently to us, so that we notice. Then when he took out his perpetual headphones, the music was gone. Music transmitted I's subjectivity, his mental states so to speak.

Characters: Ickarus is fine as a narcissistic and shallow "being" with just a gift for something. When the shrink asks him if he ever read about Buddhism (given he mentioned "reincarnation") or when he saw she wrote a book about famous artist who were also drug addicts, he just didn't care). Mathilde was barely there. I wonder if her mouth is "natural", but she's sexy enough even with that stupid Adidas outfit. Her role just lacks "something" (transmitting any feelings?), but is nevertheless believable at least. She's "his woman", but is not exactly crazy about him at all. In fact, at his first act of violence, she outright leaves. And I, as a Latin American perhaps, was surprised at how little emotions do they show to each other. She is shown crying when he had a relapse, but when sitting on a bench, she is distant, talking about her girlfriend as if she changed shoes. Then when he's out and in again at the clinic, she's not even there. Finally they're together. She dropped gorgeous Corinna. There it goes, she changed shoes again :). Beautiful Alice is right on track. His psychiatric hospital mates are fine, specially Crystal Pete. Prof. Dr. Petra Paul is gelid and coolly detached, but in her context, that's probably what they are like. She swallows insults from I. & M. like we'd take a diet Coke. We only see her really communicate with I. once, the "fly trapped on the glass" scene. Not much for somebody who's supposed to help, but her "directive" scenes, like when she is leading the "movement therapy", or when she appears in the middle of the night with the guards during I's induced mayhem are fine. She is just "efficient" at putting limits . Social Psychology: I've realized in this film I saw no feelings whatsoever. Neither family, love, friendship, nothing. Not even good sex. Yes, the menage a trois is well, but even that doesn't satisfy I. (at all). I wonder what would. Or how would he be when older. "Living of social security", like the only sound phrase he ever uttered (threw at his brother): you study at your 20s, work in your 30s and live off the state from your 40s on. I's family structure is also weird coming from a Latin American like me. His Bach loving Vater is concerned but only shows up once at the hospital, talks with the shrink after he relapsed twice in the film. He never offers him to live with him, SOMETHING, besides a "moving" hug. Same or even worse for his brother. Definitely, Germans are colder than most of us! His "social explanation" on how "the fall of the Berlin wall did harm to people" is OK for a dad but poor for a movie. If things were like that, half of Eastern Germany would be junkies :)! Philosophy: Morally, "Hungarian" Mathilde is the only "straig

"Berlin Calling" is not a documentary of the fall of the Berlin Wall, that would be "Berlin Falling". Nor is it a documentary on the 80's New Wave extraordinaire band Berlin (smell a severe case of "biasism" since it is my all-time favorite band), that would be "Berlin Hailing". The "Berlin Calling" I am referring to is the powerful independent German film "Berlin Calling". Professional Trance Music Disc Jockey Paul Kalkbrenner stars as D.J. Ickarus, a passionate & talented German trance spinning musician who also spins too many methamphetamines, hallucinogens, and narcotics in his daily social tunes. D.J. Ickarus drug-addiction downfall lands him in a Berlin psychiatric center, which Ickarus finds too icky for his taste. Ickarus does cause havoc in the psychiatric center a la Jack Nicholson's character in "One Flew Over The Cuckoo's Nest". Rita Lengyel effectively plays Mathilde, Ickarus' devoted but gradually frustrated girlfriend who tries excessively to help Ick get out of the icky ills of his drug addiction while at the same trying to salvage his career. Corinna Harfouch psyches up her acting portraying Professor Dr. Detra Paul, the authoritative psychiatric center director who is a cross between Nurse Hatchett and Dr. Phil. She feels that Ickarus is a danger to others and possibly himself so therefore she pulls her own mental control spins on him. Kalkbrenner's performance as Ickarus was mind-boggling and put me in a trance of acting endowment. Moreover, the multi-talented Kalkbrenner's musical trance mixes caused me to want to get on "The Metro" and go "Dancing In Berlin" in Kalkbrenner's Tranceylvannia village! Writer-Director Hannes Stohr has many compelling and masterful plot lines & visuals stored for you in his imaginative film-making orchestration of "Berlin Calling". An innovative narrative of the music trance environment captured in film-making has been long overdue. I was elated that Hannes had the upper hand in its origination! "Berlin Calling" also called to my attention its chart-topping cinematography, art direction, and of course musical score. Hannes' "Berlin Calling" screenplay was also quite a comedic but yet gripping one that did not need "No More Words" to be regarded wordy adequate. I did have the pleasure to experience "Berlin Calling" at The Miami International Film Festival in March 2009. Hopefully, a film studio distributor will sign up the film so everyone could be in the mix to the surreal cinematic art form of the brilliant "Berlin Calling". ***** Excellent