Beginners (2010)

¨Well, let's say that since you were little, you always dreamed of getting a lion. And you wait, and you wait, and you wait, and you wait but the lion doesn't come. And along comes a giraffe. You can be alone, or you can be with the giraffe.¨

Beginners is one of those movies that stands out due to the strong performance from the cast. The actors tell the story, and sometimes a look can say more than actual words. Ewan McGregor has this look in his eyes that constantly reminds us in this film that his character is a very sad and lonesome guy. There is no need for him to tell us, we just know it by the way he acts. From the opening scene you will also notice this isn't your typical Hollywood romantic movie; it's different and actually rings true to life. Beginners is a romantic drama with a strong and special chemistry between the two lead roles played by McGregor and Melanie Laurent (from Inglorious Basterds fame). In order for a romantic movie to work it's a must for the two lead characters to have a strong chemistry between them, and these two have it from the start, from the very first moment they meet. Ironically when they first meet she can't talk, but they say so much to each other with their eyes. That is true in life sometimes. From that moment I knew this film was going to be good, and it was. Their relationship is the center of the story although the movie is non-linear as we get to see McGregor's relationship with his now dead mother and father. Those interactions with them shaped him and made him the man he is today. He witnessed how his parents respected one another, but lacked real love for each other. He doesn't want to make the same mistake.

Oliver (Ewan McGregor) is the narrator of the movie in which he is telling the story of his life. It's 2003 and his father, Hal (Christopher Plummer) has recently passed away. We get several flashbacks dealing with their relationship together. His mother, Georgia (Mary Page Keller), who he was closer with had died five years ago. After this, Oliver grew closer to his father who opened up to him and let him know he has been gay all his life. Hal really begins living after he comes out of the closet and has a relationship with a much younger man named Andy (Goran Visnjic). Oliver begins to see a version of his father that he never knew. At the same time he realizes his father has terminal cancer and therefore has to take care of him, but in a way they form a stronger bond with each other. Oliver is now on his own, working as a graphic artist who keeps to himself most of the time and spends time with his father's dog, Arthur, but one day his co-workers invite him to a party and insist on him joining them. There Oliver meets a young French actress named Anna (Melanie Laurent) and despite the fact that she can't speak at first due to laryngitis they spend the night together and the relationship grows from there. The two seem perfect for each other, neither of them is in a relationship, but Oliver is afraid they won't last. The movie jumps back and forth from Oliver's relationship with his father and his present relationship with Anna. We get to see how some things of the past have affected him and shaped him in the present.

Beginners is not a movie for everyone; some might find it slow-paced, but it is a very smart film with a good script written by Mike Mills himself (this is his first film since the 2005 movie Thumbsucker) and it has some great performances. I already mentioned how strong McGregor and Lau

Fmovies: I got the chance to attend a sneak peek of director, Mike Mills', latest film last night at one of the Reel Affirmations film festival's monthly screenings. I like Mills' films. They've got a moody, tortured aesthetic, and this one is no different. The story is primarily about the relationship between a man, Oliver (Ewan McGregor), and his father, Hal (Christopher Plummer). When Hal dies, Oliver is left to contemplate his life, their relationship, and all the poor choices each of them had made up until this point. We see the world through Oliver's eyes, and so the whole film is suffused with an overall tone of deep sadness. He can't seem to make any of his romantic relationships work, but then he's never really had any good role models. You see, after the death of his mother four years prior, Hal finally came out to his son as gay—at the ripe age of seventy-five. It's a very touching, and lightly sweet moment. Oliver is happy that his father hasn't given up on life, and is finally pursuing true love, but he just can't forget the years of isolation and loneliness his mother went through. Commence the sad wallowing.

Of course, all this changes when Oliver meets an alluring, winsome French girl (Melanie Laurent). Anna is an actress, and she's just about as bad at relationships as Oliver. They don't know much about each other, but they're both beautiful, damaged souls, so they get on like a house on fire. And somehow, Oliver is thinking less and less about his parents. Those ladies can be mighty distracting! But, not distracting enough to totally conceal either of these attractive kids' inherent personality flaws. But they're pretty fetching while they're working out their demons!

This is a wonderful film. It really captures the deep emotions people feel for each other, and even lets the audience feel some of them for themselves. There were definitely moments during the screening that had people surreptitiously wiping tears from the corners of their eyes. But, it's also sexy and funny too. We get to enjoy Oliver and Anna's uncertain flirtation. And, we also get to savor Hal's belated (but not too late!) blossoming. He's as giddy and nervous as a school-girl at her first dance, but he ultimately takes to his new life like a fish to water, even as late to the game as he is. This movie is a real crowd pleaser, and it's one that just about everyone will enjoy. The pacing is deliberate and solemn, but the story sucks you in enough that you barely notice. You can even bring a date to this one. It's not one to miss.

That's what I took with me and stayed with me. The humanity in Ewan MacGregor's eyes. Sadness and joy unmistakable in its deepness and its pungent recognition. Christopher Plummer is superb as the 75 year old who confesses to his son, he's been gay all his life and after the death of his wife, a sublime Mary Page Keller, he allows that side of his nature to take off and experiment, for the first time in his life, in an honest loving relationship with another man, the odd and lovely Goran Visnjic. As if this wasn't enough, a dog. An extraordinary creature who carries as much humanity as its human counterparts. Melanie Laurent adds an extra pinch of sexual sympathy. "Beginners" will play beautifully on the small screen so I predict a long life for this unexpected treat.

Beginners fmovies. BEGINNERS is not an easy film. It's very 'talky' and jumps almost randomly between Oliver's boyhood, Hal's coming out and getting sick, and Oliver's on-off affair with zany Anna. Although set in sunny California, there are many under-lit scenes reminiscent of French New Wave cinema or early Woody Allens. Key episodes are, almost perversely, missing. Hal is largely absent from Oliver's mother-dominated boyhood; he later admits to having sex in mens-rooms but we don't see any of that. We see his decline and death but not his wife's. We are not shown any of Oliver's life between boyhood and his father's 'liberation'.

The performances are nothing less than brilliant. Christopher Plummer, plunging into gay life in his seventies and dying with curmudgeonly dignity, will very likely be nominated for an Oscar and miss out (like Colin Firth going down the gay road in A SINGLE MAN). Ewan McGregor gets perfectly under the skin of Oliver, who finds it easier to love his gay dad than commit to a new girlfriend. And Melanie Laurent's Anna is beguiling and disturbing; the viewer to feel what Oliver feels: you want to love her but something holds you back.

There is also a scene-stealing Jack Russell, Arthur, the love of Hal's life who becomes the love of Oliver's. A talking dog! – that is to say, writer/director Mike Mills gives Arthur subtitled thoughts every now and again. Kind of weird and kind of wonderful – kind of like the movie.

Beginners is a great film that will not satisfy a few viewers, as evidenced by other comments here. First, here's what it will not do: it will not feed you a linear story with a single, simple plot. The beauty of this film is in its complexity, which faithfully reflects the dynamics of real life. There are flashbacks. There is highly cinematic use of material that is intended to suggest mood, rather than deliver it with dead dialog. Yes, the dog gets a few subtitles, highly credible for anyone who has ever owned a dog. There is even a brief moment in which solid colors flash on the screen, and we occasionally visit the protagonist's revealing sketches. There is a message in all of this that some will not appreciate. Several stories are magically woven together: the son's difficulty in maintaining a relationship, the girlfriend's own hesitation to commit to one place and one person, the mother's endurance of a marriage that worked on only one level, the father's adjustment to his new gay life, and his boyfriend's worries that he is not accepted because he is gay. Whew! That's a lot to cram into one story, but it works remarkably well and we see in the end that all the characters were what the title said, Beginners.

Greetings again from the darkness. This is a terrific little art-house character study with comedic elements, fine acting and superb writing. Mike Mills is responsible and he was also the writer and director on another excellent little movie from about 5 years ago called Thumbsucker. When I say little movie, I mean intimate and poignant with a nominal budget.

Three time periods are presented in overlapping form to an effective end. One period shows us Oliver (Ewan McGregor) as a young kid interacting with his mother (Mary Page Keller). Another period shows Oliver's father Hal (Christopher Plummer) confessing to him that he is gay (this is a few months after the mother/wife dies). The third period has Oliver trying to forge a relationship with Anna (Melanie Laurent) whom he met at a costume party.

While that may sound like a simple set-up, I assure you that the complications created by these characters is both realistic and head-spinning. It turns out Hal knew he was gay prior to marrying Oliver's mother, but claims she promised to "fix" him. Once he proclaims his gayness, Hal jumps in with both feet to all causes gay. He thoroughly enjoys himself and even meets a new, younger lover. And just when he admits to joy, inoperable cancer is discovered in Hal's lungs. This begins the second major secret of his life.

The scenes from Oliver's childhood provide crucial evidence on why he is so solemn and afraid of relationships. He suffers just as his mother did. Things begin to shift for him when, dressed as Freud, his party sofa becomes occupied by Anna - a beautiful, alluring French actress who, it turns out, is just as messed up emotionally as is Oliver. They make the perfect threesome ... including Arthur, Hal's Jack Terrier, who speaking through subtitles, lets us know when things are OK or not. Arthur takes a great deal of the heaviness away.

There are many elements of this film that I really like. The houses of both Hal and Oliver are full of as much personality as either of the characters. The look and pace of the film is meticulous and steady given the material. It seems to be naturally lighted from windows and interior sconces. Nothing even comes close to looking like a Hollywood set.

Ewan McGregor plays his part very close to the vest and conveys the pain and uncertainty that Oliver has learned over the years. His defenses are up! Melanie Laurent was my favorite part of Inglourious Basterds (she was the cinema owner on a mission) and here she offers both hopefulness and melancholy. To me, the heart of the film is Christopher Plummer's performance. He portrays an elderly gay man with grace and then takes it to another level in his "sick" scenes. He is a wise man who may or may not understand how selfish he was, but is intent on showing Oliver that it's never to late to be a "beginner" in love.