Basquiat (1996)

If you are a New York art world fanatic, you would probably enjoy this film, but if you care nothing about art or artists, forget it. It's more about Basquiat's drug and personality problems than anything else. He's so bombed out all the time, it's hard to understand how he accomplished as much work as he did. I'm sure Basquiat had a much richer and fuller life than you get from this film. This film won't make you like Basquiat as a person. He didn't come off as a sympathetic character. In almost every scene, he is strung out on drugs to the point, he's barely functioning. It gets to be a little much after awhile. The film did nothing to help me understand his art or help me to appreciate it more, or Warhol's art, who is an accessory to Baquiat in this film. The film is more about Basquiat's social life or lack thereof. I kept thinking throughout the film "Grow up already." The best thing about the film is that it shows how empty success can be. Basquiat chased success as am artist, but when he found it, he didn't find happiness just more emptiness. David Bowie is good as Warhol.

Fmovies: I enjoy Basquiat's artwork. When I look at it, It doesn't look like it took a great amount of talent. His work tended to look very simple, really basic ideas. However, the creativity is overwhelming. He was a minimalist, that came up with simplistic masterpieces. Yeah, it was not real hard to do, but few have ever had such creative ideas. This film reminds me so much of the artist himself. It has a ton of style, it is fun to watch, somewhat uneventful, and like the artist, it is destined to be remembered, because style never dies. Heavyweight talent is everywhere, with actors such as Dennis Hopper, Benecio Del Torro, Geofrey Wright, David Bowie, Willam DeFoe, etc. I don't think either the film or the artist were that special, so why can't I forget either?

Basquiat is one of the most beautiful and spiritual yet honest and unpretentious movies I have ever come across... I have watched it many times and it has never failed to move me and give me a surge of both melancholy and creativity!

Basquiat fmovies. While the evocation of the 1980s, obvious passion for the artist's work and magnificent acting from the ensemble cast should have made this movie a '10', it has one fatal flaw: this film, Basquiat, dealing with a young man's struggle for identity, fails to mention or even hint at the fact that he had both female and male sexual partners. While I highly respect the acting ability of Jeffrey Wright (just check out his performance in Westworld), he was not only misdirected but simply miscast. To understand the real Basquiat, see the 2010 documentary Jean-Michel Basquiat - The Radiant Child. There, you see a cute, good-looking, charismatic, ambitious although introverted young man whom you could easily imagine receiving offers from men and women alike - and equally imagine the offers being taken up. The portrayal in the film, Basquiat, is of a slightly autistic, inarticulate, heterosexual boor with a 'junkie walk' before he was even a junkie. It is well documented that the artist David Bowes was a male lover of Basquiat's, and other characters from the era, some still alive today, attest that while living on the street he would often exchange sexual favors with both males and females for a place to sleep for the night; not uncommon practice for the homeless. I mention all this not to disrespect the memory of Jean-Michel as I'm actually a great fan of his. Let's instead respect him by honoring him truthfully and mentioning the unmentionable: male-to-male sexuality.

Directors and scriptwriters be damned; you spoil otherwise good movies. Just when will film-makers get over their homophobic paranoia? Why make a movie about Howard Hughs and not mention he had bedded most Hollywood leading men of his day? Why make a movie about Alexander the Great misrepresenting his life-long male lover and companion, and not mentioning his Persian male lover? Why make a film about Archilles and pretend that his male lover, whose death caused his downfall, was his platonic cousin? Why make a movie about Cole Porter and not mention anything? The list goes on.

Once in a while a movie is perfectly acted; this is one of them. David Bowie does the best Andy Warhol ever captured on film. The film in itself is a work of art, as much as Basquiat was himself. I'm unaware of how factual the film is, but I'm guessing it's not too false. It's a near perfect film and that's why I give it a solid nine.

I'm a sucker for movies set in New York City, which is one reason I decided to see this, that and the supporting cast. I don't know much about Basquiat, his life or work, so I don't know how accurate the movie is, nor do I know much about art, but this film drew me in. I know the film was made by a friend and compatriot of Basquiat, Julian Schnabel, and if there's a weakness, it's that sometimes we feel this is an inside job. Nevertheless, we do go inside the art world, get to know about graffiti, and we get to understand what makes Basquiat tick. I also thought Jeffrey Wright was good in the title role. The supporting cast were all first-rate as well.