Automata (2014)

An interesting premise is the key to a quality sci-fi film, and this is something Automata most definitely has. Set in a dystopian, Blade Runner-esqe future where much of the world has been rendered uninhabitable and the remainder of humanity lives in bleak, isolated cities, robots do most of the menial tasks in society. These robots are governed by two unalterable protocols, they cannot harm living beings, or alter themselves or any other robot. When Jacq (Antonio Banderas), a robot insurance claims agent, is sent to investigate a robot which a junkie cop (Dylan McDermott) shot when he saw it repairing itself, he uncovers more and more questions surrounding the robots and their ability to think and develop.

Unfortunately, that is around where the film stops really making sense. Around a third of the way into the film, Jacq is driven out of the city into the wasteland and all character behaviors from just about everyone become puzzling. A series of characters whom you don't really care about make decisions that just don't make sense working towards a finale that simply makes no sense given everything they had told you so far. A complete lack of any notable acting and inconsistent direction fail to save a film that had tons of promise, but completely lacked a second and third act.

Fmovies: It cannot be coincidence that films concerning the integration of humanity and artificial intelligence, including this film Automata, Transcendence, Doomsday Book, Ghost in the Shell Arise, and the Machine, alongside future titles, Ex Machina, Chappie and the next Terminator installment, are been released after Dr. Stephen Hawking discussed how AI is the greatest potential threat to humanity, while at the same time, Dr. David Levy predicts that by 2050, machines will not only be our friends and acquaintances, but potential spouses too.

Back in the late 1980s and early 90s, movies including Hardware and Nemesis, depicted the advancement of man and machine with less than positive results, making for graphically violent features. Similar to films from the past, Automata is not an action film, regardless of the trailer's depiction, and is more film noir. Part Blade Runner, part I, Robot, but still different than either, Automata does contain both violent and sexual content, but these aspects are in minimal supply when in contrast with the other themes explored.

Jacq Vaucan (Antonio Banderas) works for the largest robot manufacturer in the world, his job being to ensure that all robots abide by the strict guidelines they are mandated to follow. Those that attempt to become more human, by having their design augmented by a Clock-Smith, are immediately subject to termination. Unlike other protagonists, Vaucan is not the stereotypical, plucky hero, and is instead forced into a situation that demands action. In a dire, post-apocalyptic world, where few people it seems do the right thing, Vaucan is forced to take a stand.

Other actors, like Dylan McDermott as Sean, and Robert Forster as Bold have smaller roles, and were potentially cast because they are known quantities, however it is potentially Melanie Griffith as the voice of robot Dupre, who is most interesting, her voice helping to provide not only life, but humanity to her character.

Although the story is not as fast paced as other science fiction films of today, the effects are truly beautiful, and provides sustenance to the non-organic characters. A story of survival, moral-bankruptcy, commitment, understanding and evolution, Automata is one of those few intelligent features that makes us question our place in the world, and whether we as humans truly deserve to inherit whatever future may await us. Although the ending is not entirety conclusive, we acquire enough information to adequately summarize how the characters and their journeys may continue after the film comes to a close.

Banderas' attempt at a sci-fi flick has great potential but it ultimately falls flat.

It's not because of the story. Although the trailer makes it clear that we're dealing with a recycled idea from Asimov's universe (robots that become more human than some humans), the movie barely scratches the surface of the issues at hand and chooses a middle path between a serious deep movie and an action flick and fails at both.

Banderas' character is the only one that interesting and it's easy to follow him and his point of view all the way from a corporate lackey to a guy involved in some ethical dilemmas. He acts well, way better than the movie average.

The first problem is that there aren't any other well-drawn characters. Everyone else is flat, starting from his family, his boss and his opponents. To call them one-dimensional is giving them too much credit, I would say they are soulless and at some point I was really hoping for them to just die and leave us with the robots and Banderas. I can't fault the actors much, it's the script that didn't give them any chance.

The second problem is the plot. Although the story has potential, the plot fails at acquiring it. It won't take long to see that at some point the actions of the 'bad guys' really stop making sense, they are there just as a really poor excuse for some lame attempts at action sequences (I'm not going to detail this as to not give spoilers, suffice to say that the main pretext for the confrontation between the bad guys and Banderas is not necessary at all, if you stop to think about it for a minute given the situation of the humans in the movie and whatnot).

The last one is the soundtrack. It's absolutely atrocious and the sound doesn't fit with the images at all, especially the music sequences.

I will admit that the movie is entertaining for the most part. But that's it. It wastes an amazing potential, fails to explore itself and just throws some lines and some action at you that lacks logic, common sense and characters (save for Banders and the robots).

Automata fmovies. It was totally unexpected and refreshing to stumble upon a new sci-fi movie with unique character, and an interesting and gritty atmosphere created with the help of practical effects and good old-fashioned artistic vision. The robots and old technology, obsolete computers and oscilloscopes in the background were absolutely fun to see and this couldn't have been done with CG alone (something many studios are attempting to do on a regular basis now).

The movie could have benefited from a higher budget, and I'm sure the artists' vision could have been more fully realized that way, but I think they really have something to be proud of, and I hope to see more of their work.

The plot is good, could have been a bit deeper and developed a bit further. But it successfully creates an interesting world - one much better than, say, "I,Robot" (the movie). Some of the most sympathetic characters were the robots, which is not do diminish the work of the actual human beings here, but the character design and behavior of the protagonists was really believable. The antagonists, not so much. Contrast that with something like I,Robot and you can see that it's possible to make something far more original on a far tighter budget.

I really wish more movies were made with such passionate vision, instead of the Michael Bay CG roller-coaster rides being churned out each year now, as a tradition. I'm glad new authors are breaking the mold and making sci-fi interesting again.

9 of 10. This will remind you of Blade Runner in a harsher, still Earth-based world, testing out how a variation on Asimov's I, Robot rules can both work and be circumvented.

Because it doesn't extend technology as far beyond the present day, it has a more realistic feel to it. It also helps that it integrates everyday big-business into the plot. You can see the influence of not only Blade Runner, but Fight Club and Wall-E.

This could be a non-animated, adult prequel to Wall-E. It lacks the more technical, advanced cyberpunk of the Ghost in the Shell films, which like Blade Runner, seem a lot less dystopic relative to Automata.

Where this lacks is in the acting/casting along with the storyline originality, but never enough to get in the way of the story as a whole. Like any great story, you only wish it had been longer revealed more of the world it takes place in.

When I first read the synopsis, I thought it would be an action movie, 'I, Robot', or something like that. But I was wrong... and I'm glad of it.

At first we have a brief explanation about what happened to earth(as we know it) and the robots protocols, but we understand it quite well, as it is very simple and objective... The movie begins with a scene that is a real punch in the face, and we get to see how the movie has a subjective plot. Then we face the fact that those protocols ain't working like they should... And there you are... Embarking with our protagonist, Jacq(Antonio Bandeiras), in a journey for answers. Those answers can be about the robots, as well as it can about us... So called human.

The movie has a slow pace and it develops in a different way than the average thrillers does... We watch a bunch of fight scenes and gunshots, but it ain't the point of the movie, those are consequences of the journey itself.

The score is for times absent, but it doesn't make it bad... When we hear it is great, it gives the movie so much heart... It's incredible.

The acting isn't so great... You can doubt the characters frequently, as you can't relate to them frequently, as well, and it's completely understandable.

At the end there's this feeling that the movie could be really more than it really is, there was so much potential... The movie isn't bad, it is awesome, but sometimes it just lacks character(and it incredibly comes from the human ones).

If you haven't watched this: Go ahead, it's amazing.

"Dying is a part of the human natural cycle. Your life is just a span in time."