Austin Powers in Goldmember (2002)

I was a late comer to the whole Austin Powers craze. I passed on seeing the first two after seeing the trailers for them, I automatically figured they'd be dumber than dumb. I only saw this movie because 12 hour work shifts get really long and we have a t.v. here at work... so what are you gonna do??

This movie was hilarious. I was never really impressed with Mike Myers from his Wayne's World lore, but he certainly impressed me in Goldmember. The irony of it all is that the funniest things about this movie were the characters Mike Myers played besides Austin Powers. Austin Powers was humorous and had his place, but Fat Bastard, Dr. Evil, and Goldmember were a riot. This movie was a great mix of subtle humor and in your face comedy. This movie propelled me to see the prior two, but I don't think they were as funny.

Goldmember was excellent, and definitely a top comedy in my book.

Fmovies: A horrible mix of bad acting, unfunny jokes, a plot that makes the Mario Bros. Movie look like Citizen Kane and some of the rudest and most pointless scenes ever. I saw this movie expecting something funny that would spoof the excellent Bond series but what I got was more how I imagine an adult film to be. You wouldn't know it was supposed to spoof James Bond as nothing Bond-like is present. The characters are boring and remarkable but not in a good way. The jokes are corny and are just vulgar. If you haven't already been cursed by its awfulness then skip this movie at all costs.

I recommend this movie to someone that enjoys stuffing their face and then going on fairground rides a million times eventually being sick.

Mike Myers returns for the third installment of his "Austin Powers" franchise. In "Goldmember," he comes full circle with the histories of Austin and Dr. Evil. Myers again plays shagadelic secret agent Austin Powers, his arch-nemesis Dr. Evil and horrible henchman Fat Bastard, and now also a new bad guy, the Dutch hedonist Goldmember. I found this movie hilarious and outrageous! It had a lot of crude humor, like Austin hiding behind Mr. Roboto's fountain. But there was also a good amount of self-parody. The best scenes included Dr. Evil's prison rap video, and the suggestive subtitles in Mr. Roboto's office. The several cameos were also enjoyable, especially Ozzy Osbourne pointing out the joke carried over from "The Spy Who Shagged Me." The scene with Godzilla and its copyright was a relevant joke, considering the MPAA's temporary ban on the use of the title "Goldmember." I did have a complaint about the continuity. The difference in Austin Powers' trademark "choppers" was noticeable. And although I'd have liked an explanation for the absence of Felicity Shagwell, I'm glad she was not revealed in the movie as a fembot! Anyway, with this third installment, Austin Powers goes out with a bang!

Austin Powers in Goldmember fmovies. The first Austin Powers film was so fresh, zany, charming, witty and unique. It took some time for many people to catch on (hence it's legendary video rental record), but it was dazzlingly, mesmerizingly adorable. The sequel came out and rather tarnished the prior film by either dumping or revising various story elements and especially by taking a turn towards the crude and vulgar. Still, it had it's share of interesting moments and laughs. In this third installment, the goodwill is almost completely gone. What remains is a hopelessly indulgent, often foul and unfunny conglomeration of "jokes" and gags, many based on bodily functions or other off-key subjects. That is not to say that the film doesn't still deliver quite a few laughs. It's just that by now, the whole enterprise seems very worn and familiar. There are several truly funny sequences in the film, but mostly it is saved only by some surprising and "right on" star cameos and the fresh appeal of Knowles. The (typically) ludicrous plot kicks off with Powers having to rescue his father (Caine) from the title character by travelling (too briefly) to 1975. Then the whole parade of series characters is involved in either starting or stopping the world's total destruction. Myers is undeniably brilliant at creating various characters and giving them each a voice of his own. He succeeds in creating these people who seem real unto themselves. Unfortunately, he also is bent on catering to what has to be a 13-year-old boy target audience with endless, endless potty jokes and gross out gags. Some of them are very amusing. Some of them are just gross. After a short while it becomes overkill. Knowles (who is certainly no "actress") comes across as very attractive and surprisingly charismatic on film. Her character is mostly decorative, but she serves the purpose very, VERY well. Her take-no-prisoners attitude is refreshing, even if she is continuously shown being kicked in the face. By now, Myers is so much the whole show that previous supporting cast members (Sterling, Green, Wagner, York) can barely get a word in. Who knows how much of their stuff was cut in the hour-plus of leftover material, but certainly plenty of Myers was left in. It's hard to imagine the lengthier cut because this one seems interminable, even with the bright spots. The opening sequence is brilliant. The character named Dixie......hilarious full name. Other creative and funny bits occur throughout, but the film can not escape it's pall of crudeness and alienating self-indulgence.

If I can describe this movie in three words, I would say, "Shagadelic, baby, yeah!" Mike Myers, the comedic genius who made the phrases, "Yeah, baby" and the word "Shag" famous is back again in a movie that is superior to the Spy Who Shagged Me.

While the original Austin Powers is better, this movie focuses on intellectual jokes. Many of the people I know who didn't like it, knowing them, it was probably because they didn't understand it. There were a few references to movies even outside the James Bond series. I even remember one instance where Dr. Evil was speaking as though he were Hannibal Lecter in an obvious Silence of the Lambs reference.

Beyoncé Knowles has proven to be a worthy actress. I don't see what the problem is with singers doing some acting, because singing is a form of acting... But I digress. Beyoncé had a couple of punchlines, much like Hurley and Graham, but once again, Austin's babe is just there for Austin's (or in this case Mini-me's) sex jokes.

Goldmember was one of Myers' most creative villains. As simple as lines like "I LIKE GOOOOOLD" and "I am from Sweden. Isn't that weird?" sound, the delivery makes Goldmember a one-of-a-kind villain, and I find him to be even better than Fat Bastard.

Myers also cleverly planted some special appearances in that movie, and when he does, they do draw laughs.

I will not compliment the end of this movie. While it was an unexpected plot twist, Goldmember could have done better without the scene they closed the movie with, especially since this is supposed to be the last movie of the series.

If you watch one movie this year, watch Star Wars. If you watch two, watch the Godfather... but if you watch three, watch Braveheart... Ah, hell. We all see more than 3 movies a year. Just fit Goldmember in there somewhere!

To be brutal, this movie is cynical. I mean, Mike Myers is a funny guy, but this constant rehash of old material (see the radar jokes, the shadow-on-the-wall, the father-son misunderstandings) is just a bit worrying and suggests Mr. Myers has run out of ideas.

There are some classic moments in the movie, like the beginning sequence, and the shadow-on-the-wall sequence involving Mini-me, but the whole thing stinks of self-indulgence and money-making rather than originality or passion.

I felt myself, straining to laugh throughout the 90 minutes or so I was in the cinema, and I SO wanted to love this movie as I loved the previous two installments. Mike Myers is funny, and Beyonce Knowles is surprisingly good too, but Michael Caine isn't given the right material to shine and the Osbournes cameo verges on the pointless.

Good, but not your best effort. Austin Powers 4? No thank you