A Series of Unfortunate Events (2004)

If your childhood was anything like mine, at some point you whined to your parents or another adult, "That's not fair!"--at which point the adult blithely retorted, "Life's not fair." A hard lesson, sure, but one we all learn eventually--life isn't fair; people die, bad things happen to good people, and justice isn't always served. Lemony Snicket's "A Series of Unfortunate Events" books, in which siblings Violet, Klaus, and Sunny Baudelaire start off being orphaned by a fire and then having things go downhill from there, embraces that philosophy with a dark, sly humor that is irresistible. Fortunately, Brad Silberling has kept the spirit of the series mostly intact with this film translation.

The movie encompasses Snicket's first three books, in which Violet (Emily Browing), Klaus (Liam Aiken), and Sunny are foisted off on several guardians by the dimwitted executor of their parents' estate (Timothy Spall). The first and worst of these is Count Olaf (Jim Carrey), a thorough scoundrel who's after the kids' immense inheritance. The children manage to escape, and over the course of the film encounter a kindly snake enthusiast (Billy Connolly) and an ultra-hypochondriac (Meryl Streep), each of whom try to look after the children in their own way. But mostly the Baudelaires look after themselves, each resourceful in their own way--Violet invents contraptions with whatever is at hand, Klaus is a reference desk unto himself, and baby Sunny practices her teething on whatever (or whoever) is convenient. The trio share the sort of unique bond that can only come from having survived a long string of misadventures. Olaf pursues them throughout, aided by disguises which he considers brilliant and which fool everyone except, of course, the ever-observant Baudelaires.

Most of the elements which make Snicket's books so appealing are present here: the entertaining characters, the cleverness of the children, Snicket's delightful black humor (given voice by Jude Law), and even the cunning reverse-psychology promotional scheme of the series (in which the reader/viewer is told, no really, you DON'T want to hear this story, go find something more cheerful, etc.). Carrey gleefully gnaws the scenery as Olaf, and indeed with such a character he can do no less. Browning and Aiken are quite appealing, but the real scene stealer is Sunny (played by twins Kara and Shelby Hoffman). Sunny does not actually speak, but her coos and gurgles are translated via subtitle in a dry and witty manner (another inspiration taken from the series). The production design (combining the best parts of Tim Burton and Edward Gory) creates a fanciful but accessible world which modern inventions like remote car-keys are wielded by characters who dress like they just stepped out of a Victorian melodrama.

It is perhaps too much to ask that the film could have avoided a Hollywood-style attempt to soften its delightfully dreary outlook, or that Carrey could have gone the entire movie without having at least one sequence in which he's just required to be Jim Carrey. But this is kept to a minimum--as Violet herself says, there really is more good than bad here.

Fmovies: My Take: Jim Carrey at his outrageous self. An superb adaptation of the Snicket chronicles.

I honestly say that I have always liked Jim Carrey's comedy movies, and he's also one of my favorite comedians (though I'm not much of a comedy fan). "Liar Liar" and "Bruce Almighty" were amongst my favorites of Carrey's wild antics. But when I viewed this film, I was surprised to see Jim Carrey in a whole new look. His performance here was of the villainous Count Olaf, and he was more than just making me laugh, but also a villainous character. He's really a villain here, but yet, you can't help but actually laugh at some of his antics. This is really he's best performance that I've seen. Surely, there would be more, but this is by far the best that I've seen (Though I haven't seen "Eternal Sunshine of the Spotless mind").

Do I need to say that this movie was great? For I already see that many agree with me on that. A very colorful production, with excellent costume design, make-up and special effects, and yet, also a wonderful story, well pressed from Lemony Snicket's "unfortunate" account on the Baudelaire siblings. I wouldn't mind a franchise myself. There are still a few other books still left, so why not?

Rating: **** out of 5.

OK...I really enjoyed the film and I felt it captured everything I wanted it to about the books and more. However, and while it may be an odd thing to say, is that was the best set of credits I've ever seen.

They were beautifully done, well done to whoever it was that created them...the artwork was spectacular and the animation perfectly in tune with the tone of the books.

very entertaining...well done!

In addition I would like to add than Jim Carrey fitted the role of Count Olaf perfectly, and while I may not be a huge fan of his previous work he provided the much needed humour to keep the story moving the watcher intrigued

A Series of Unfortunate Events fmovies. The end credits is a ten minute long cartoon of such incredible beauty that it is a great shame that most people will never watch it. Simply its some of the best animation to come out all year.

While I can give the end credits a 10 out of 10 I can only give the rest of the film a begrudging 7 out of 10, although it should probably be a 6.5. Certainly this is a fantastically well made movie, that is for the most part very well acted but something is amiss in the tone of the film and so it never really is what it should be.

The story of three children who's parents are killed and who are forced from guardian to guardian by the murderous acts of Count Oloff is pretty bleak. And with a title like "A Series of Unfortunate Events" you really can't expect dancing elves, but the film makers have chosen to add a vein of madcap silliness to the proceedings that works against the rest of the film. It seems as if they were afraid that the material was going to be seen as too dark, which is a shame since its clear from the sequences where they left well enough alone that the film could have stood on its own.

Its a good movie, instead of the great one it wants to be.

Definitely worth seeing.

Before entering the theatre, I'd never glanced at any of the "Lemony Snicket" books. I'd never even heard of them. Having seen the film, I'll make it a priority to take a look. The film has a strong "Harry Potter" feel, what with the heroic, much put-upon British children, and the fantastical setting. If J.K. Rowling had cast Lord Voldemort as a nefarious villain out to steal the Potter family fortune, and made Ron and Hermione Harry's siblings, I imagine it would look something like this. Jim Carrey swallows huge chunks of scenery in his portrayal of Count Olaf, one of the most despicable villains to grace the silver screen in a while. The four child actors are all superb, especially the very attractive Emily Browning as the inventor, Violet. The film comes with a wonderfully disturbing climax, and a enjoyably happy epilogue that hints at many future misfortunes for the Baudelaire children. I'll be there. 9/10.

First, let it be declared that in the media of movie, it is a downright shock that Nickelodeon's monicker appears in this film. It is by far, the best film they have ever made. Second, it is probably the only movie you will see made for children (supposedly) and containing a claymation elf holding a rifle.

Second, let it be known that this movie is the most visually pleasing children's (live-action) film any of us will see for years. The costume design is amazing, from the strap-laden sunny to the neo-Gothic formality of Violet, and especially in the under-appreciated and subtle '60s formal-casual of Klaus, who looks like a miniature Harold from "Harold and Maude". The sets are equally beautiful, a spree of Burtonesque Gothic-Modern Post-Industrial Asymmetry, from the half formed carnage of The burnt Baudelaire Mansion to the perfectly executed closing credits, animated to perfection. Cinematography also plays an amazing roll on the parts of Violet and Klaus, where ingenious images are used to insert the audience into the minds of the genius Baudelaires.

Last, the performances, only two that everyone has't heard; Jude Law's perfect narration, and The Hoffman Twins astonishing performance as Sunny. Law's performance is so on target that it never occurs that this voice is not the elusive and enigmatic pseudonym himself. He is the perfect compliment to the often exciting or disturbing actions being inflicted upon the accurately charming and intelligent Baudelaires. as for Sunny, they have performed the impossible in giving a perfect performance to an infant from an infant, in both the physical acting and the ingenious form of translation. The sequels are sure to be the greatest of series, even if the events be unfortunate as they have been.

As an artist, this reviewer cannot help but give this movie a 10/10. It is his deep desire that you appreciate it as much as he, if not, well... ... that is rather... ... unfortunate.