A Christmas Carol Poster

A Christmas Carol (2009)

Animation | Family 
Rayting:   6.8/10 104.2K votes
Country: USA
Language: English
Release date: 19 November 2009

An animated retelling of Charles Dickens' classic novel about a Victorian era miser taken on a journey of self redemption, courtesy of several mysterious Christmas apparitions.

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Hitchcoc 24 May 2012

It took me a long time to finally see this film. Visually it is quite impressive, but as is often the case, the movie falls far short of the better presentations of this story. Scrooge is portrayed in the usual way, but the treatment of his character is almost sadistic. So much license is taken with his plight that it falls into the realm of every juvenile movie made today. I'm really surprised that Ebenezer didn't have a skateboard. The way he is tossed and attacked in this film, totally distracts us from the central issue. That is a redemption of the soul. Scrooge's character is never one we care about. He is tortured and prodded. The spirits are dull and contrived. There is hardly a former love and a true sense of avarice. Bob Cratchitt and Tiny Tim are incredibly boring. The kid isn't of much interest. Finally, there is no emotion in Scrooge. This is animation which should allow incredible creativity. But the film sells its soul and dwindles away to nothing.

lucas9109 6 November 2009

Fmovies: A Christmas Carol was very entertaining and the animation was superb. You must see it in 3D! However, kids who go and see this movie probably won't understand the majority of the dialogue and will probably get lost. It has a lot of adult situations and the accents are pretty thick as well. Also, don't let the PG rating fool you. It's actually quite mature and in my opinion it's more suited for adults than kids as far as the dialogue and story goes. I think both kids and adults will love the animation and have a lot of fun - especially in 3D! Unfortunately, that might be the only thing the kids will like...Nonetheless, it's a great film and it's definitely Oscar worthy for the animation. I'll definitely be seeing it again in theaters and in 3D!

Quinoa1984 9 November 2009

I wonder if Robert Zemeckis weren't a filmmaker if he would have become a pilot. Look at his films and you may find a recurring shot in them, if not all then at least a good lot of them: a shot up in the sky, flying around and bringing the audience along (i.e. the feather in Forrest Gump, the pull-back through the valley and mountains in Beowulf, Back to the Future with the flying Dolorean), and here too are shots like that, more than one in fact. It's exhilarating to see Zemeckis at a mastery of this particular shot, and in the full scope and awe in 3D it's even stronger to watch and wonder 'how did they do it(?)' With motion-capture, anything is possible... except, sadly, making one feel a true emotional connection to the material.

Oh, don't get me wrong. It's an improvement over The Polar Express, whose creepiness was more unto itself and jarring as opposed to serving the story, and one can already see advancements in the technology from Beowulf, which was also lots of fun and had an edge to it allowed only with the digital animation. But for some reason- maybe my heart is a lump of coal or I wasn't in the right Christmas spirit or something- the material in the film didn't connect with me, except those moments that were funny (intentionally or not, sometimes due to Jim Carrey's performance), and it became something peculiar. It's a story that is practically timeless, and the director is at the top of his game, almost at the same control of the medium for a particular story like Forrest Gump or Back to the Future - maybe more-so.

It's also still a WOOSH experience, not carrying the same time and effort for characters to really feel fully human before our eyes like, for example, Up did back in the summer. I mention all of this first since the story we all know pretty much (as an aside, I kept thinking back to the first incarnation of the story I saw as a child, the Muppet Christmas Carol, and marveled at how both that and this film kept much of the book's dialog and storytelling devices exactly), and it's almost pointless to recant it here. What is paramount to mention though is that Zemeckis, in keeping with the tone of the original Dickens text (and having the clout that he has), makes it a true Victorian horror movie.

It should be said also that children will be hit or miss with this version; while they'll delight and be awed by the animation and moments of craziness (my favorite being the scene with the ghost Marley and his entire presentation before Scrooge, unhooked jaw uneasily included), they may be put off by the "old" language, some of it in that olde 19th century English Dickens wrote in. Perhaps this is why, against his own better judgment, Zemeckis decided to add in a few scenes to change the very faithful adaptation, the key one being the chase through the streets of London in the Christmas-Future sequence. This is smack dab in the middle of what is the best segment of the film - seeing death as a silhouette with a bony finger and Scrooge's stark pleas is truly chilling - and it suddenly makes it also the worst. It kills the tension and makes a strange sensation: does one laugh at a tiny-voiced Scrooge running around like a mini Daffy Duck cartoon while he's supposed to be facing down his own demise? It's entertaining to watch, but awkward to behold at this point of the story.

That the motion-capture, for all of its beauty and detail in the faces and people and locations and dazzling set-pieces, doesn&#

claudio_carvalho 30 March 2010

A Christmas Carol fmovies. In the Victorian era of the United Kingdom, the stingy and cranky Ebenezer Scrooge (Jim Carrey) that hates Christmas and people loses his partner Jacob Marley in a Christmas Eve. For seven years, he runs his business exploiting his employee Bob Cratchit (Gary Oldman) and spends a bitter treatment to his nephew and acquaintances. However, in the Christmas Eve, he is visited by the doomed ghost of the chained Marley that tells him that three spirits would visit him that night. The first one, the spirit of past Christmas, recalls his miserable youth; the spirit of the present Christmas shows him the poor situation of Bob's family; and the spirit of future Christmas shows his fate. Scrooge finds that life is good and God bless us everyone, changing his behavior toward Christmas, Bob, his nephew and people in general.

This dark adaptation of "A Christmas Carol" by Charles Dickens to the screen is one of those optimistic films that follows the style of Frank Capra's "It's a Wonderful Life" and it is impossible not loving it. The redemption of the mean Ebenezer Scrooge in a Christmas Eve is one of the most known worldwide novels and this animation produced by Disney Company follows the style of Tim Burton and may not be the best adaptation to the cinema, but it is indeed effective and a good family entertainment. My vote is seven.

Title (Brazil): "Os Fantasmas de Scrooge" ("The Ghosts of Scrooge")

ma-cortes 5 November 2011

A Christmas CAROL is an enjoyable Hollywood production, a wonderful and straight forward approach to the Dickens's source material being splendidly adopted . It is given the full ¨Motion Capture¨ deluxe treatment in this superior Holiday film. The production values & acting are both excellent, with just enough attractive to appeal to the tenderhearted, and with touching doses of horror , case of the potentially frightening elements the Ghosts of Past, Present and Future , adding sentiment ; all of them are blended into the mix, until, like a nice Christmas punch, the result appeals to all. Scrooge (Jim Carrey) is a miserly old businessman in 1840's London. He displays no charity to mankind generally, and in particular, to his employee Bob Cratchett (Gary Oldman) and his unfortunate son, Tiny Tim . One Christmas Eve he is visited by the ghost of Marley, his dead business partner. He is warned that he must change his miserly ways or face damnation. Marley foretells that Scrooge will be visited by three spirits, each of whom will attempt to show Scrooge the error of his ways.In Just One Night, He Has Seen His Past, His Present, And His Future. And They've All Come Back To Haunt Him Will Scrooge reform his ways in time to celebrate Christmas? . To his delight, the spirits complete their visits in one night giving him the opportunity to mend his ways. The first spirit, the Ghost of Christmas Past, shows Scrooge visions of his own past in which had spent much of his childhood neglected by his father over the holidays at boarding school until he was finally brought home by his loving sister Fan (Robin Wright), who died prematurely after giving birth to his nephew Fred (Colin Firth).

A marvelous recounting of a Christmas vintage classic and Jim Carrey demonstrates once again his versatility on screen in this retelling of Charles Dickens' immortal story . Atmospherically, the movie is as comfortable and heartwarming as an old Christmas card .The whole concept of looking at your life in the past, present and future is creative in and of itself. After watching the movie, you may look at your life from the same perspectives. Special effects add a nice little touch,but it is Carrey's interaction with the 'ghosts' and various characters that really steal the show . Though most of us,if not all of us, have seen other adaptations in the past or read the story,and know already what to expect, Jim Carrey manages to capture pure magic with his stunningly awesome portrayal of main character Ebenezer Scrooge,and it is definitely worth a look. It's fun and different approach to the Christmas classic with top notch effects by means of ¨Motion Capture¨ a technique developed by Robert Zemeckis in previous films as Beowulf and Polar Express . A highly recommended film that nobody should miss it especially during Christmas time.¨Robert Zemeckis's Christmas Carol¨ still ranks as one of the best adaptations of the Dickens classic ever. This animated retelling of Charles Dickens' classic novel about a Victorian-era miser taken on a journey of self-redemption will appeal to Jim Carrey fans .

Other versions about this stunning story courtesy of several mysterious Christmas apparitions are the following : The rather obscure 1935 version, with Sir Seymour Hicks, the 1951 British production, with Alastair Sim, adaptation released by MGM in 1938 with Reginald Owen , and the 1970 musical, with Albert Finney. Under the title of 'A Christmas Carol' a cartoon rendition (1997) by Stan Phillips and vo

gradyharp 25 December 2010

What would Christmas be without a visit to Charles Dickens' 'A Christmas Carol', a story that dates back to 1843 and has been loved and read every year at this time? There have been other films, stage productions, musicals, and family readings galore and it still holds the magic of what the spirit of Christmas is all about. Doubtless there will be flocks of naysayers who don't buy into this adaptation by Robert Zemekis, but given the ghost story magic Dickens' created, this film takes it one step further and makes the ghostly three spirits very much alive and beautiful fanciful.

Combining the actors with animation (animating the actors might be a better way of describing the magic) makes each of the many very well known actors who portray the characters that much more credible. Jim Carrey is at his peak as an actor in his ability to become the illusions his mind creates: he portrays all three ghosts as well a Scrooge at every level of his history. Other actors who are transformed by Zemekis and staff include Gary Oldman as the trio of Cratchit, Marley's Ghost, and Tiny Tim, Colin Firth as the jovial nephew, Cary Elwes, Robin Wright Penn, Bob Hoskins, Fionnula Flanagan and a host of others. The costumes and scenery are brilliantly executed.

One problem with the film that may require parental judgment is the fact that the ghosts are truly scary and children might not be able to get past the fear they instill. But they will grow into the film as it is likely a work that will be resurrected every Christmas season as a tradition. It is 'excellent, my good fellows'.

Grady Harp

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